Culture
Havmann (English: The Man from the Sea) is a sculpture made from Arctic granite located in the Ranfjord. It was made in 1995 by the English sculptor Antony Gormley. It's a part of Artscape Nordland, which can be seen from the city centre. The festival Havmanndagene is held in the town every year in May. Nordland Theater is a regional theater that tours in Nordland. It was established in 1979, and is situated in a new theater building with three stages. Rana Museum, department of Helgeland Museum, is situated in the city centre. The main exhibit focuses on everyday life in the town in the 20th century. It has a photo gallery with about 80,000 images, and a folk music archive. The museum also contains a miniature model of the city from around 1930. Natural History museum is situated in the old part of town, known as Moholmen. It focuses on exhibitions of the animal life in the region. The county library of Nordland is situated in Mo i Rana. Arctic Circle Raceway is a motorsports and road racing track, situated 30 kilometres (19 mi) north of Mo i Rana.
Read more about this topic: Mo I Rana
Famous quotes containing the word culture:
“Why is it so difficult to see the lesbian—even when she is there, quite plainly, in front of us? In part because she has been “ghosted”Mor made to seem invisible—by culture itself.... Once the lesbian has been defined as ghostly—the better to drain her of any sensual or moral authority—she can then be exorcised.”
—Terry Castle, U.S. lesbian author. The Apparitional Lesbian, ch. 1 (1993)
“The anorexic prefigures this culture in rather a poetic fashion by trying to keep it at bay. He refuses lack. He says: I lack nothing, therefore I shall not eat. With the overweight person, it is the opposite: he refuses fullness, repletion. He says, I lack everything, so I will eat anything at all. The anorexic staves off lack by emptiness, the overweight person staves off fullness by excess. Both are homeopathic final solutions, solutions by extermination.”
—Jean Baudrillard (b. 1929)
“Both cultures encourage innovation and experimentation, but are likely to reject the innovator if his innovation is not accepted by audiences. High culture experiments that are rejected by audiences in the creator’s lifetime may, however, become classics in another era, whereas popular culture experiments are forgotten if not immediately successful. Even so, in both cultures innovation is rare, although in high culture it is celebrated and in popular culture it is taken for granted.”
—Herbert J. Gans (b. 1927)