Mistress (lover) - in Literature

In Literature

In both John Cleland's Fanny Hill and Daniel Defoe's Moll Flanders, as well as in countless novels of feminine peril, the distinction between a "kept woman" and a prostitute is all-important.

Apologists for the practice of mistresses referred to the practice in the ancient Near East of keeping a concubine; they frequently quoted verses from the Old Testament to show that mistress-keeping was an ancient practice that was, if not acceptable, at least understandable. John Dryden, in Annus Mirabilis, suggested that the king's keeping of mistresses and production of bastards was a result of his abundance of generosity and spirit. In its more sinister form, the theme of being "kept" is never far from the surface in novels about women as victims in the 18th century in England, whether in the novels of Eliza Haywood or Samuel Richardson (whose heroines in Pamela and Clarissa are both put in a position of being threatened with sexual degradation and being reduced to the status of a kept object).

With the Romantics of the early 19th century, the subject of "keeping" becomes more problematic, in that a non-marital sexual union can occasionally be celebrated as a woman's free choice and a noble alternative. Maryann Evans (better known as George Eliot) defiantly lived "in sin" with a married man, partially as a sign of her independence of middle-class morality. Her independence required that she not be "kept."

Charlotte Brontë's novel Jane Eyre (1848) presents impassioned arguments on both sides of this question, as Rochester, unable to be free of his insane wife, tries to persuade Jane Eyre to live with him, which she resists.