Cultural References
- Alan Moore's Supreme includes a version of Mxyzptlk called Szasz, the Sprite Supreme from the 19th dimension.
- In a 1980s Spider-Man comic, Peter Parker mumbled "Mxyzptlk" in his sleep. Similarly, his daughter from the MC2 Universe, Spider-Girl mutters "Kltpzyxm" as she's roused from her sleep.
- In the Family Guy episode "I Take Thee Quagmire", Adam West tricks Alex Trebek into saying his own name backwards, sending him back to the fifth dimension. On the June 15, 2007 airing of Jeopardy!, contestant Jared Cohen wrote Trebek's name backwards as the response to the Final Jeopardy! answer, so that Trebek would say it aloud. Cohen says that he had heard that this would cause Trebek to return to his own dimension. Trebek pronounced it differently than he did in Family Guy, "keebert" instead of "kebbert". (See a transcript of the incident.)
- In the novel Super-Folks by Robert Mayer, the imp from the 5th dimension is named Pxyzsyzygy, foe of the novel's Superman analogue, David Brinkley. His face is revealed to be that of the smiley face.
- Brooklyn-based band, Mixel Pixel, credits Mxyzptlk as the source of their name.
- In Simpsons Comics, Bart is being stalked by Sideshow Bob. When talking to Lisa, he compares himself to Superman and compares Bob to Mxyzptlk, when Lisa tries to correct the pronunciation, Comic Book guy appears out of nowhere and admits that both were correct.
- In a New Avengers comic, Spider-Man cracks a joke about how someone might "say the magic word, like 'Mxyzptlk'..."
- The third movement of American composer Michael Daugherty's Metropolis Symphony is a musical portrait of Mr. Mxyzptlk.
- In Holy Musical B@man!, a 2012 Batman parody musical by StarKid Productions, Mister Mxyzptlk is mentioned and portrayed as one of Superman's lesser known villains.
Read more about this topic: Mister Mxyzptlk
Famous quotes containing the word cultural:
“A culture may be conceived as a network of beliefs and purposes in which any string in the net pulls and is pulled by the others, thus perpetually changing the configuration of the whole. If the cultural element called morals takes on a new shape, we must ask what other strings have pulled it out of line. It cannot be one solitary string, nor even the strings nearby, for the network is three-dimensional at least.”
—Jacques Barzun (b. 1907)
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