Mimar Sinan - Work

Work

His training as an army engineer gave Sinan an empirical approach to architecture rather than a theoretical one. But the same can be said of the great Western Renaissance architects, such as Brunelleschi and Michelangelo.

Various sources state that Sinan was the architect of around 360 structures which included 84 mosques, 51 small mosques ("mescit"), 57 schools of theology ("medrese") 7 schools for Koran reciters ("darülkurra"), 22 mausoleums ("türbe"), 17 Alm Houses ("imaret"), 3 hospitals ("darüşşifa"), 7 aqueducts and arches, 48 inns ("caravansary"), 35 palaces and mansions, 8 vaults and 46 baths. Sinan held the position of chief architect of the palace, which meant being the overseer of all construction work of the Ottoman Empire, for nearly 50 years, working with a large team of assistants consisting of architects and master builders.

The development and maturing stages of Sinan's career can be illustrated by three major works. The first two of these are in Istanbul: the Şehzade Mosque, which he calls a work of his apprenticeship period, and the Süleymaniye Mosque, which is the work of his qualification stage. The Selimiye Mosque in Edirne is the product of his master stage. Şehzade Mosque is the first of the grand mosques created by Sinan. The Mihrimah Sultan Mosque, which is also known as the Üsküdar Quay Mosque, was completed in the same year and has an original design with its main dome supported by three half domes. When Sinan reached the age of 70, he had completed the Süleymaniye Mosque complex. This building, situated on one of the hills of Istanbul facing the Golden Horn, and built in the name of Süleyman the Magnificent, is one of the symbolic monuments of the period. The diameter of the dome, which exceeds the 31 m (102 ft) of the Selimiye Mosque which Sinan completed when he was 80, is the most outstanding example of the level of achievement reached by Sinan. Mimar Sinan reached his artistic peak with the design, architecture, tile decorations and land stone workmanship displayed at Selimiye.

Another area of architecture where Sinan produced unique designs are his mausoleums. The Mausoleum of Şehzade Mehmed is notable for with its exterior decorations and sliced dome. The Rüstem Paşa mausoleum is a very attractive structure in classical style. The mausoleum of Süleyman the Magnificent is an interesting experiment, with an octagonal body and flat dome. The Selim II Mausoleum with has a square plan and is one of the best examples of Turkish mausoleum architecture. Sinan's own mausoleum, which is located in the north-east part of the Süleymaniye complex on the other hand, is a very plain structure.

Sinan masterfully combined art with functionalism in the bridges he built. The largest of these is the nearly 635 m (2,083 ft) long Büyükçekmece Bridge. Other important examples are the Ailivri Bridge, the Old Bridge in Svilengrad on the Maritsa, the Lüleburgaz (Sokullu Mehmet Pasha) Bridge on the Lüleburgaz River, the Sinanlı Bridge over the river Ergene and the Drina Bridge.

While Sinan was maintaining and improving the water supply system of Istanbul, he built arched aqueducts at several locations within the city. The Mağlova Arch over the Alibey River, which is 257 m (843 ft) long and 35 m (115 ft)35 meters high, has two tiers of arches, and is one of the best examples of its kind.

At the start of Sinan's career, Ottoman architecture was highly pragmatic. Buildings were repetitions of former types and were based on rudimentary plans. They were more an assembly of parts than a conception of a whole. An architect could sketch a plan for a new building and an assistant or foreman knew what to do, because novel ideas were avoided. Moreover, architects used an extravagant margin of safety in their designs, resulting in a wasteful use of material and labour. Sinan would gradually change all this. He was to transform established architectural practices, amplifying and transforming the traditions by adding innovations, trying to approach perfection.