Michigan Opera Theatre - History

History

Michigan Opera Theatre began as the educational outreach arm, Overture to Opera (OTO), of the Detroit Grand Opera Association, the organization responsible for the Metropolitan Opera's visits to Detroit. In 1963, MOT's Founder and General Director, David DiChiera took over the program, then in its third year. OTO first presented opera to the public as a collection of scenes and acts. It did not produce its first full-length production until 1970, with the staging of The Barber of Seville at the Detroit Institute of Arts. Overture to Opera officially became Michigan Opera Theatre in 1971 after it established a board of trustees, signifying its transformation into a professional opera company. 1977 marked the founding of MOT's Department of Community Programs by Karen VanderKloot DiChiera. The company became known for it casting which often featured a blend of established artists as well as young-up-and-coming American opera singers from a diversity of backgrounds, a tradition that continues to this day. The company was among the first to stage Gershwin's opera Porgy and Bess in 1975 as well as Scott Joplin's opera Treemonisha in 1983. In 2005 the company staged the world premiere of Richard Danielpour's Margaret Garner, based on Toni Morrison's novel Beloved. MOT also established an international reputation for the staging of rarely performed operas such as the North American premiere of Armenian composer, Armen Tigranian's, Anoush in 1981, Polish composer, Karol Szymanowski's King Roger in 1991, and the American premiere of Stanisław Moniuszko's The Haunted Castle in 1982. In 1989 the decision was made to purchase MOT's current home, the Detroit Opera House Originally called the Capital Theatre, the building, designed by C. Howard Crane, was in need of extensive restoration. The company eventually gained enough money to purchase the entire block encompassing the neighboring Roberts Fur building, which the company demolished in 1993 to make way for the 75,000-square-foot (7,000 m2) stage house. The monumental task which became known as "The Detroit Opera House Project" took approximately 7 years to complete and was supported by local individuals, corporations, foundations and unions. Luciano Pavarotti was also a major contributor to the campaign, bringing the attention of the public to the project at large by promising to sing at the opening of the new opera house, donating large amounts of money to the cause, and by making various appearances around Detroit in performances designed to raise money for the project. In April 1996, MOT celebrated the opening of its new home with a Gala event which received international coverage. Among the guests at the Gala were opera stars Joan Sutherland, Luciano Pavarotti, Irina Mishura, Helen Donath, Marcello Giordani, Gregg Baker, Alessandra Marc, and Elizabeth Parcells, conductor Steven Mercurio, and actor Roddy McDowall. The evening also featured a Fanfare for the Detroit Opera House by American composer William Bolcom which had been especially commissioned for the Gala. In 1996 MOT also added a permanent dance season to its reportoire with performances by the American Ballet Theatre and the Cleveland San Jose Ballet.