History
The oldest section of Michigan Avenue is the portion that currently borders Grant Park in the Chicago Loop section of the city. The name came from Lake Michigan, which until 1871 was immediately east of Michigan Avenue. The street at that time ran north to the Chicago river and south to the city limits. Originally, Michigan Avenue was primarily residential, and by the 1860s, large homes and expensive row houses dominated Michigan Avenue. In the Great Fire of 1871, all buildings on Michigan avenue from Congress Street north to the river were destroyed. Immediately after the fire, the character of Michigan remained residential, but the street no longer was directly on the lake shore, as after the Fire, wreckage from the burnt district was used to fill in the inner harbor of Chicago, beginning the landfills that by the 1920s had moved the lake shore more than a quarter-mile east of its original shoreline, creating space for an expanded Grant Park. Beginning in the 1880s, the expansion of the central business district replaced houses on Michigan avenue so that today, Michigan's character is primarily commercial north of 35th Street.
The first city showcase on Michigan Avenue was the Exposition Building, which was built on the current site of the Art Institute, the east side of Michigan at Adams, in 1874. By the 1890s, an imposing wall of buildings was constructed on the west side of Michigan Avenue downtown, including the Auditorium Building and the main branch of the Chicago Public Library (now the Chicago Cultural Center). As the east side of Michigan Avenue downtown was developed as a park, the wall of buildings lining the west side of Michigan Avenue across from the park became the nucleus of the city's skyline.
In 1924, the first traffic lights in Chicago were installed on Michigan Avenue after John D. Hertz fronted the city $34,000 for the purchase, installation, and maintenance.
Read more about this topic: Michigan Avenue (Chicago)
Famous quotes containing the word history:
“A man acquainted with history may, in some respect, be said to have lived from the beginning of the world, and to have been making continual additions to his stock of knowledge in every century.”
—David Hume (1711–1776)
“Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
—Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)
“We have need of history in its entirety, not to fall back into it, but to see if we can escape from it.”
—José Ortega Y Gasset (1883–1955)