For Further Reading
- Cartelli, Thomas (1995) "After the Tempest: Shakespeare, Postcoloniality, and Michelle Cliff's New, New World Miranda," Contemporary Literature 36(1): 82-102.
- Edmondson, Belinda (1993) "Race, Writing, and the Politics of (Re)Writing History: An Analysis of the Novels of Michelle Cliff," Callaloo 16(1): 180-191.
- Lima, Maria Helena (1993) "Revolutionary Developments: Michelle Cliff's No Telephone to Heaven and Merle Collins's Angel," Ariel 24(1): 35-56.
- Lionnet, Francoise (1992) "Of Mangoes and Maroons: Language, History, and the Multicultural Subject of Michelle Cliff's Abeng," in Sidonie Smith and Julia Watson, eds. De/Colonizing the Subject: The Politics of Gender in Women's Autobiography, Minneapolis: University of Minnesota Press, pp. 321-345.
- Raiskin, Judith (1994) "Inverts and Hybrids: Lesbian Rewritings of Sexual and Racial Identities," in Laura Doan, ed. The Lesbian Postmodern, New York: Columbia University Press, pp. 156-172.
- Raiskin, Judith (1993) "The Art of History: An Interview with Michelle Cliff," Kenyon Review 15(1): 57-71.
- Schwartz, Meryl F. (1993) "An Interview with Michelle Cliff," Contemporary Literature 34(4): 595-619.
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