Michel Legrand - Jazz Recordings

Jazz Recordings

Legrand has also contributed significant work in jazz. While on a visit to the U.S. in 1958, Legrand collaborated with such musicians as Miles Davis, John Coltrane, Bill Evans, Phil Woods, Ben Webster, Hank Jones, and Art Farmer in an album of inventive orchestrations of jazz standards titled Legrand Jazz. The following year, back in Paris with bassist Guy Pedersen and percussionist Gus Wallez, he recorded an album of Paris-themed songs arranged for jazz piano trio, titled Paris Jazz Piano. Nearly a decade later he recorded At Shelly's Manne-Hole (1968), an exciting live trio session with bassist Ray Brown and drummer Shelly Manne, in which four of the compositions were improvised on the spot. Legrand also provided an odd scat vocal on "My Funny Valentine." Legrand returned to his role as jazz arranger for the Stan Getz album Communications '72 and resumed his collaboration with Phil Woods on Jazz Le Grand (1979) and After the Rain (1982); then, he collaborated with violinist Stephane Grappelli on an album in 1992. Not as well received as his earlier work in the field of jazz was a 1994 album for LaserLight titled Michel Plays Legrand. More recently, in 2002, he recorded a masterful solo jazz piano album reworking fourteen of his classic songs, Michel Legrand by Michel Legrand. His jazz piano style is virtuosic and eclectic, drawing upon such influences as Art Tatum, Erroll Garner, Oscar Peterson, and Bill Evans.

A number of his songs, including "What Are You Doing the Rest of Your Life?," "Watch What Happens," "The Summer Knows," and "You Must Believe in Spring," have become jazz standards covered frequently by other artists.

Read more about this topic:  Michel Legrand

Famous quotes containing the words jazz and/or recordings:

    The basic difference between classical music and jazz is that in the former the music is always greater than its performance—Beethoven’s Violin Concerto, for instance, is always greater than its performance—whereas the way jazz is performed is always more important than what is being performed.
    André Previn (b. 1929)

    All radio is dead. Which means that these tape recordings I’m making are for the sake of future history. If any.
    Barré Lyndon (1896–1972)