Movements
- I. Lex (1991)
- Duration: 9 minutes
- Commissioned by the Baltimore Symphony Orchestra, David Zinman, Music Director
- Instrumentation: piccolo, 2 flutes, 2 oboes, English horn, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon; 4 horns, 4 trumpets, 3 trombones, tuba; timpani, strings
- II. Krypton (1993)
- Duration: 7 minutes
- Commissioned by Absolut Vodka for the New Jersey Symphony Orchestra, Leighton Smith, Conductor
- Instrumentation: piccolo, 2 flutes, 3 oboes, E flat clarinet, clarinet, bass clarinet, 2 bassoons, contrabassoon; 4 horns, 4 trumpets, 3 trombones, tuba; 4 percussion; piano; strings
- III. MXYZPTLK (1988)
- Duration: 7 minutes
- Commissioned by Cleveland Chamber Symphony, Edwin London, Music Director
- Instrumentation: 2 flute solo (II. doubles pic), 2 oboes, 2 clarinets, 2 bassoons; 2 horns, 2 trumpets, trombone; 1 or 2 percussion; synthesizer; strings
- IV. Oh,Lois! (1989)
- Duration: 5 minutes
- Commissioned by Cleveland Chamber Symphony, Edwin London, Music Director
- Instrumentation: 2 flutes, 2 oboes, 2 clarinets, 2 bassoons; 4 horns, 3 trumpets, 3 trombones; timpani, 2 percussion; synthesizer; strings
- V. Red Cape Tango (1993)
- Duration: 13 minutes
- Commissioned by the Albany Symphony Orchestra, David Allan Miller, Music Director
- Instrumentation: piccolo, 2 flutes, 2 oboes, English horn, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon; 4 horns, 4 trumpets, 3 trombones, tuba; timpani, 4 percussion; piano; strings
Publisher: Peermusic Classical
Read more about this topic: Metropolis Symphony
Famous quotes containing the word movements:
“Virtues are not emotions. Emotions are movements of appetite, virtues dispositions of appetite towards movement. Moreover emotions can be good or bad, reasonable or unreasonable; whereas virtues dispose us only to good. Emotions arise in the appetite and are brought into conformity with reason; virtues are effects of reason achieving themselves in reasonable movements of the appetites. Balanced emotions are virtue’s effect, not its substance.”
—Thomas Aquinas (c. 1225–1274)
“Just as language has no longer anything in common with the thing it names, so the movements of most of the people who live in cities have lost their connexion with the earth; they hang, as it were, in the air, hover in all directions, and find no place where they can settle.”
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“Who among us has not, in moments of ambition, dreamt of the miracle of a form of poetic prose, musical but without rhythm and rhyme, both supple and staccato enough to adapt itself to the lyrical movements of our souls, the undulating movements of our reveries, and the convulsive movements of our consciences? This obsessive ideal springs above all from frequent contact with enormous cities, from the junction of their innumerable connections.”
—Charles Baudelaire (1821–1867)