Creation and Conception
Several characters have been stated to be based on actual people, such as Blackbeard (Marshall D. Teach) and Whitebeard (Edward Newgate) being based on the owner of a bar where Oda used to go, and the famous pirate Blackbeard (Edward Teach). Some other notable examples includes Eustass Kid (Eustace the Monk and William Kidd), X. Drake (Sir Francis Drake), Basil Hawkins (Basil Ringrose and John Hawkins), Capone "Gang" Bege (Al Capone and William Le Sauvage), Trafalgar Law (Edward Low), Jewelry Bonney (Anne Bonny), Urouge (Aruj), Scratchmen Apoo (Chui A-poo), Roronoa Zoro (François l'Olonnais), Sanji & Zeff (Red Legs Greaves), Lafitte (Jean Lafitte), Bartholomew Kuma (Bartholomew Roberts), Captain Morgan (Henry Morgan), Alvida (Awilda), and Bellamy (Samuel Bellamy). The transvestite Emporio Ivankov is based on Dr. Frank N. Furter and Norio Imamura. Norio had asked for Oda to draw more okama characters and became Ivankov's first voice actor.
Oda had created Helmeppo before he created Captain Morgan, Helmeppo's father. Oda originally named Morgan after "Chop," with the character's full title being "Naval Captain Chop" or "Sailor Chop". "Sailor" in Japanese is suihei (水兵?), and "Suihei Chop" is a fighting technique used by Giant Baba, a Japanese wrestler. Oda made several versions of Morgan before settling on the final design. After an editor told Oda that Morgan, in Oda's words, "looked lame", Oda changed Morgan's design to his final style.
Read more about this topic: Merry Go
Famous quotes containing the words creation and, creation and/or conception:
“There is an incompatibility between literary creation and political activity.”
—Mario Vargas Llosa (b. 1936)
“The creation of a thousand forests is in one acorn, and Egypt, Greece, Rome, Gaul, Britain, America, lie folded in the first man.”
—Ralph Waldo Emerson (1803–1882)
“Every man is in a state of conflict, owing to his attempt to reconcile himself and his relationship with life to his conception of harmony. This conflict makes his soul a battlefield, where the forces that wish this reconciliation fight those that do not and reject the alternative solutions they offer. Works of art are attempts to fight out this conflict in the imaginative world.”
—Rebecca West (1892–1983)