Criticism
Critics have argued that memorial reconstruction is not as prevalent as has been presumed (some use the term "memorial reconstruction" loosely to refer to both the supposed methods of illicit reconstruction: from actors and auditors). In 1975 Michael Warren argued that the quarto version of Lear is not a "bad" text, but that the later Folio version differed because it was a revised version. Later scholars such as James S. Shapiro have developed this argument. Likewise, it has been argued that the quarto of Romeo and Juliet was printed from a reduced and simplifed version designed for provincial productions. This argument has also been made for the published version of Marlowe's Massacre at Paris, and the first quarto of Hamlet.
In 1996, Laurie Maguire of the Department of English at the University of Ottawa published a study of the concept of memorial reconstruction, based on the analysis of errors made by actors taking part in the BBC TV Shakespeare series, broadcast in the early 1980s. She found that actors typically add, drop or invert single words. However, the larger-scale errors expected if actors were attempting to piece together the plays some time after their performance failed to appear in all but a few of the bad quartos. The study did, however, uncover some circumstantial evidence for memorial reconstruction in the bad quartos of Hamlet, The Merry Wives of Windsor, and Pericles. According to Maguire, virtually all the bad quartos appear to be accurate renditions of original texts that "merit our attention as valid texts in their own right".
The concept of memorial reconstruction has since been questioned by other scholars. In Shakespeare: An Anthology of Criticism and Theory, 1945-2000, Paul Werstine asserts that the theory has "yet to be empirically validated with reference to any extant Shakespeare quarto" and "there is no documentary evidence that any actor ever memorially reconstructed a play."
Alberty Freillerat, in The Composition of Shakespeare’s Plays, suggests that "it is odd that all actor-reporters should make similar mistakes and report inconsistently" and he concludes that the theory of memorial reconstruction is "as disappointing as that of stenographic reconstruction."
Read more about this topic: Memorial Reconstruction
Famous quotes containing the word criticism:
“It is ... pathetic to observe the complete lack of imagination on the part of certain employers and men and women of the upper-income levels, equally devoid of experience, equally glib with their criticism ... directed against workers, labor leaders, and other villains and personal devils who are the objects of their dart-throwing. Who doesn’t know the wealthy woman who fulminates against the “idle” workers who just won’t get out and hunt jobs?”
—Mary Barnett Gilson (1877–?)
“People try so hard to believe in leaders now, pitifully hard. But we no sooner get a popular reformer or politician or soldier or writer or philosopher—a Roosevelt, a Tolstoy, a Wood, a Shaw, a Nietzsche, than the cross-currents of criticism wash him away. My Lord, no man can stand prominence these days. It’s the surest path to obscurity. People get sick of hearing the same name over and over.”
—F. Scott Fitzgerald (1896–1940)
“I am opposed to writing about the private lives of living authors and psychoanalyzing them while they are alive. Criticism is getting all mixed up with a combination of the Junior F.B.I.- men, discards from Freud and Jung and a sort of Columnist peep- hole and missing laundry list school.... Every young English professor sees gold in them dirty sheets now. Imagine what they can do with the soiled sheets of four legal beds by the same writer and you can see why their tongues are slavering.”
—Ernest Hemingway (1899–1961)