Theme Song and Opening Sequence
The theme song to "Cory in the House", was written and produced by Matthew Gerrard and Robbie Nevil, and performed by Kyle Massey, Maiara Walsh, and Jason Dolley (though the closing credits of the show credit the performance of the theme song only to Massey). An alternate theme song "Rollin' to D.C." is also sung by Massey and Walsh and was used in the music video to promote the series.
Unlike the live-action sitcoms on Disney Channel that were made from 2003 to 2006, the opening credits of Cory in the House did not use clips from the show in the sequence and also were not updated for the second season, instead keeping the same credits as those used in the first season. Lizzie McGuire and Even Stevens also used the same opening credit sequence for both of their series runs, and those series along with recent series, Wizards of Waverly Place, Sonny with a Chance and Jonas L.A. also do not include clips from the show in the opening credits except for the last season of Wizards of Waverly Place. It is also the first Disney Channel sitcom to include the Disney logo above the series title logo (until 2007, only Disney Channel's animated series included the logo above the title logo), which was added to the title after the first few episodes (however, all Disney Channel series since 2007 leave out the "'s" at the end of the Disney logo, so if the title is read in its entirety, it would be read as Disney Cory in the House instead of Disney's Cory in the House).
Read more about this topic: Meena Paroom
Famous quotes containing the words theme, song, opening and/or sequence:
“If a theme or idea is too near the surface, the novel becomes simply a tract illustrating an idea.”
—Elizabeth Bowen (1899–1973)
“Now that you are laid out,
useless as a blind dog,
now that you no longer lurk,
the song rings in my head.”
—Anne Sexton (1928–1974)
“Nay, be a Columbus to whole new continents and worlds within you, opening new channels, not of trade, but of thought.”
—Henry David Thoreau (1817–1862)
“Reminiscences, even extensive ones, do not always amount to an autobiography.... For autobiography has to do with time, with sequence and what makes up the continuous flow of life. Here, I am talking of a space, of moments and discontinuities. For even if months and years appear here, it is in the form they have in the moment of recollection. This strange form—it may be called fleeting or eternal—is in neither case the stuff that life is made of.”
—Walter Benjamin (1892–1940)