Media in Manchester - Film

Film

See also: Films set in Manchester

Manchester is featured in several Hollywood films such as My Son, My Son! (1940), directed by Charles Vidor and starring Brian Aherne and Louis Hayward. Also Grand Hotel (1932), in which Wallace Beery often shouts "Manchester!". Others include Velvet Goldmine starring Ewan McGregor, and Sir Alec Guinness's The Man in the White Suit. More recently, the entire city of Manchester is engulfed in runaway fires in the 2002 film 28 Days Later. The 2004 Japanese animated film, Steamboy was partly set in Manchester, during the times of the industrial revolution. The city is also home to the Manchester International Film Festival and has held the Commonwealth film festival.

In recent years a number of Hollywood films have been filmed in Manchester, with the city historic Northern Quarter district used due to its pre-WW2 architecture. In 2010, the car chase scene in Captain America: The First Avenger was filmed in Manchester's Northern Quarter, on Dale Street to be specific. Producers chose Manchester because of its resemblance to 1940s New York with its high buildings dating from pre-WW2 and the site is a shortlisted UNESCO world heritage site. In 2004, the Northern Quarter district was also used for the filming of Alfie (2004 film).

The 2009 film version of Sherlock Holmes was extensively filmed in Manchester alongside London and Liverpool. The movie was filmed in such locations as the Northern Quarter, Jersey Street in Ancoats and inside Manchester Town Hall.

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Famous quotes containing the word film:

    Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.
    David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)

    I’ll be right here.
    Melissa Mathison, U.S. screenwriter, and Steven Spielberg. ET, ET The Extra-Terrestrial, saying goodbye to Elliot as he touches Elliot’s forehead—ET’s final words in the film (1982)

    You should look straight at a film; that’s the only way to see one. Film is not the art of scholars but of illiterates.
    Werner Herzog (b. 1942)