The McNay Art Museum, founded in 1954 in San Antonio, is the first modern art museum in the U.S. State of Texas. The museum was created by Marion Koogler McNay's original bequest of most of her fortune, her important art collection and her 24-room Spanish Colonial Revival-style mansion that sits on 23 acres (9.3 ha) that are landscaped with fountains, broad lawns and a Japanese-inspired garden and fishpond.
McNay was an American painter and art teacher who inherited a substantial oil fortune upon the death of her father. The museum was named after her, and has been expanded to include galleries of medieval and Renaissance artwork and a larger collection of 20th-century European and American modernist work.
The museum focuses primarily on 19th and 20th century European and American art by such artists as Paul Cézanne, Pablo Picasso, Paul Gauguin, Henri Matisse, Georgia O’Keeffe, Diego Rivera, Mary Cassatt, and Edward Hopper. The collection today consists of over 14,000 objects and is one of the finest collections of Contemporary Art and Sculpture in the Southwestern United States. The museum also is home to the Tobin Collection of Theater Arts, which is one of the premiere collections of its kind in the U.S., and a research library with over 30,000 volumes. More recently, the McNay Art Museum recently added the Stieren Center, built by internationally renowned architect Jean-Paul Viguier, to display their Modern collection.
Famous quotes containing the words nay, art and/or museum:
“Years were not required for a revolution of public opinion; days, nay hours, produced marked changes in this case.”
—Henry David Thoreau (1817–1862)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“A Museum of fetishes would give special attention to the history of underwear.”
—Mason Cooley (b. 1927)