Portrayals of Communists
Those who sought to justify McCarthyism did so largely through their characterization of Communism, and American Communists in particular. Proponents of McCarthyism claimed that the CPUSA was so completely under Moscow's control that any American Communist is a puppet of the Soviet and Russian intelligence services. This view is supported by recent documentation from the archives of the KGB as well as post-war decodes of wartime Soviet radio traffic from the Venona Project, showing the CPUSA as having been completely controlled from Moscow. J. Edgar Hoover commented in a 1950 speech, "Communist members, body and soul, are the property of the Party." This attitude was not confined to arch-conservatives. In 1940, the American Civil Liberties Union ejected founding member Elizabeth Gurley Flynn, saying that her membership in the Communist Party was enough to disqualify her as a civil libertarian. In the government's prosecutions of Communist Party members under the Smith Act (see above), the prosecution case was based not on specific actions or statements by the defendants, but on the premise that a commitment to violent overthrow of the government was inherent in the doctrines of Marxism-Leninism. Passages of the CPUSA's constitution that specifically rejected revolutionary violence were dismissed as deliberate deception.
In addition, it was often claimed that the Party did not allow any member to resign, so a person who had been a member for a short time decades previously could be considered as suspect as a current member. Many of the hearings and trials of McCarthyism featured testimony by former Communist Party members such as Elizabeth Bentley, Louis Budenz, and Whittaker Chambers, speaking as expert witnesses.
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Famous quotes containing the words portrayals of, portrayals and/or communists:
“We attempt to remember our collective American childhood, the way it was, but what we often remember is a combination of real past, pieces reshaped by bitterness and love, and, of course, the video past—the portrayals of family life on such television programs as “Leave it to Beaver” and “Father Knows Best” and all the rest.”
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