Maxwell Anderson - Stage Productions

Stage Productions

  • White Desert – 1923
  • What Price Glory – 1924 – a war drama
  • First Flight – 1925 – (with Laurence Stallings)
  • Outside Looking In (play) – 1925
  • Saturday's Children – 1927
  • Gods of the Lightning – 1929 (with Harold Hickerson)
  • Gypsy – 1928 –
  • Elizabeth the Queen – 1930 – a historical drama in blank verse
  • Night Over Taos – 1932
  • Both Your Houses – 1933 – Pulitzer Prize for Drama
  • Mary of Scotland – 1933 – a historical drama in blank verse
  • Valley Forge – 1934
  • Winterset – 1935 – New York Drama Critics Circle Award
  • The Masque of Kings – 1936
  • The Wingless Victory – 1936
  • Star-Wagon – 1937
  • High Tor – 1937 New York Drama Critics Circle Award
  • The Feast of Ortolans – 1937 – one-act play
  • Knickerbocker Holiday – 1938 – book and lyrics
  • Second Overture – 1938 – one-act play
  • Key Largo – 1939
  • Journey to Jerusalem – 1940
  • Candle in the Wind – 1941
  • The Miracle of the Danube – 1941 – one-act play
  • The Eve of St. Mark – 1942
  • Your Navy – 1942 – one-act play
  • Storm Operation – 1944
  • Letter to Jackie – 1944 – one-act play
  • Truckline Café – 1946
  • Joan of Lorraine (partially written in blank verse) – 1946
  • Anne of the Thousand Days – 1948 – a historical drama in blank verse
  • Lost in the Stars – 1949 – book and lyrics
  • Barefoot in Athens – 1951
  • The Bad Seed – 1954
  • High Tor – 1956 (TV score)
  • The Day the Money Stopped – 1958 – (with Brendan Gill)
  • The Golden Six – 1958

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Famous quotes containing the words stage and/or productions:

    “The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
    —Freya Stark (b. 1893–1993)

    “If in many of my productions terror has been the thesis, I maintain that terror is not of Germany, but of the soul.”
    —Edgar Allan Poe (1809–1849)