Life
Born in Garges-lès-Gonesse, Val-d'Oise, Maxime Dethomas came from a long line of painter-printers on one side of his family and of lawyers on the other. His father, Jean-Albert Dethomas (1842–1891), was an important Parisian politician. His step mother Louise Thierree (Jean-Albert married twice – Maxime was of the first marriage) belonged to the affluent middle-class of Bordeaux.
Dethomas enrolled at the École des Arts Décoratifs in 1887 at which he studied for a brief time, followed by a more varied course, from 1891 onwards, at the Societe de la Palette (boulevard de Clichy) directed by Henri Gervex, Puvis de Chavannes and Eugene Carriere. Carriere's influence played a significant part in the early development of Dethomas's art, and he would go on to be a close friend of both the artist and his family. Dethomas passed much of his time at the bookshop of the Revue Indépendante (Independent Review) run by Edouard Dujardin, and it was here that Dethomas first met Louis Anquetin and Henri Toulouse-Lautrec. Dethomas worked primarily as an artist from the early 1890s until his appointment in 1910 as the director of design at the Théâtre des Arts.
Read more about this topic: Maxime Dethomas
Famous quotes containing the word life:
“To approach a city ... as if it were [an] ... architectural problem ... is to make the mistake of attempting to substitute art for life.... The results ... are neither life nor art. They are taxidermy.”
—Jane Jacobs (b. 1916)
“Yes, life is a woman!”
—Friedrich Nietzsche (1844–1900)
“The great problem of American life [is] the riddle of authority: the difficulty of finding a way, within a liberal and individualistic social order, of living in harmonious and consecrated submission to something larger than oneself.... A yearning for self-transcendence and submission to authority [is] as deeply rooted as the lure of individual liberation.”
—Wilfred M. McClay, educator, author. The Masterless: Self and Society in Modern America, p. 4, University of North Carolina Press (1994)