Biography
During World War II he served in the First Motion Picture Unit of the United States Army Air Forces.
In the 1960s, he wrote the novelization of The Beatles' cartoon Yellow Submarine. His fiction includes Don't Raise the Bridge, Lower the River; the movie version starred Jerry Lewis and shifted the locale from "Green Haven" (based on Ridgefield) to London, England.
On the original bookjacket is the warning:
- While the locale of this book is Connecticut, it has nothing of importance to say about Suburbia, Exurbia, the Exploding Metropolis, or the stifling wave of Middle Class Conformity which, it is augured, will soon engulf the whole of Fairfield County.
In the '90s, he published a coffee table book tracing the origins of the musical Oklahoma! Later he wrote Schmucks with Underwoods--Conversations with Hollywood's Classic Screenwriters.
For decades Mr. Wilk was a dramaturg for playwrights at The Eugene O'Neill Theater Center's National Playwright's Conference under the leadership of Lloyd Richards.
Read more about this topic: Max Wilk
Famous quotes containing the word biography:
“The death of Irving, which at any other time would have attracted universal attention, having occurred while these things were transpiring, went almost unobserved. I shall have to read of it in the biography of authors.”
—Henry David Thoreau (1817–1862)
“Had Dr. Johnson written his own life, in conformity with the opinion which he has given, that every man’s life may be best written by himself; had he employed in the preservation of his own history, that clearness of narration and elegance of language in which he has embalmed so many eminent persons, the world would probably have had the most perfect example of biography that was ever exhibited.”
—James Boswell (1740–95)
“A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.”
—André Maurois (1885–1967)