Significant Matte Painting Shots
- The army barracks in All Quiet On The Western Front (1930)
- Count Dracula's castle exteriors in Dracula (1931) and other scenes.
- Birds flying over Bodega Bay, looking down at the town below, in Alfred Hitchcock's The Birds (1963)
- In Alfred Hitchcock's North by Northwest (1959) shots of the The United Nations building, Mount Rushmore and the Mount Rushmore house.
- The view of Skull Island in King Kong (1933)
- Mary Poppins gliding over London with her umbrella (1964), the St Paul's Cathedral and London's rooftops and aerial views.
- The iconic image of the Statue of Liberty at the end of Planet of the Apes (1968)
- The rooftops of Portobello Road in Bedknobs and Broomsticks (1971) that won the Academy Award.
- The city railway line in The Sting (1973)
- Views of a destroyed Los Angeles in Earthquake (1974) for which Albert Whitlock won an Academy Award
- The stone column demolished by the locomotive in the Chicago station in the film Silver Streak.
- The Death Star's laser tunnel in Star Wars (1977)
- The Starfleet headquarters in Star Trek The Motion Picture (1979)
- The final scene of the secret government warehouse in Steven Spielberg's Raiders of the Lost Ark (1981)
- The Batty and Deckard chase scene in Blade Runner (1982)
- The view of the crashed space ship in The Thing (1982).
- The view of the OCP tower in RoboCop (1987) and other scenes.
For the technique used in photography and special effects filmmaking to combine two or more image elements into a single, final image see Matte (filmmaking).
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Famous quotes containing the words significant, painting and/or shots:
“Silence accompanies the most significant expressions of happiness and unhappiness: those in love understand one another best when silent, while the most heated and impassioned speech at a graveside touches only outsiders, but seems cold and inconsequential to the widow and children of the deceased.”
—Anton Pavlovich Chekhov (18601904)
“Talk to them about things they dont know. Try to give them an inferiority complex. If the actress is beautiful, screw her. If she isnt, present her with a valuable painting she will not understand. If they insist on being boring, kick their asses or twist their noses. And thats about all there is to it.”
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“The simplest surrealist gesture consists in going out into the street, gun in hand, and taking pot shots at the crowd!”
—Surrealist slogan from the 1920s, quoted by Luis Buñuel in My Last Sigh, ch. 10 (1983)