Production
Mathematics' first real exposure to production came late one night when he attended a session where he assisted RZA, his mentor, in constructing a beat from nothing. The track eventually developed into "Ice Cream" on Raekwon's Only Built 4 Cuban Linx album. RZA inspired Mathematics to follow the Wu-Tang, giving him advice on the nuances of hip hop production over the coming years. In 1996, Mathematics began record producing, in Staten Island, New York (Shaolin) and at home, in the P-Funk City, Plainfield, New Jersey, between heavily scheduled tour dates and rigorous road travelling with his father's gospel group, The Soul Seekers.
His first track, "Fast Life" featuring Ghostface Killah and the American football star Andre Rison, was included in the NFL Jams compilation album. Though this track faded into obscurity somewhat, it lead to several more collaborations between Mathematics and Ghostface; Mathematics also began to produce for many other Wu-Tang members and affiliates, including several tracks on GZA's second album Beneath The Surface as well as Method Man's Tical 2000: Judgement Day, Inspectah Deck's Uncontrolled Substance and Method Man & Redman's Blackout!. Eventually, he produced for the Clan as a group, with "Do You Really (Thang, Thang)", "Careful (Click, Click)", "Gravel Pit", "Protect Ya Neck (Jump Off)" and others. Mathematics, or Uhuso Lakee Muhammad Shabazz Allah, is the only writer of tracks on their 2000 album The W he did not co-produce with RZA. On Iron Flag in 2001 he contributed every track.
In 2003, Mathematics moved into TV work, as he produced the main theme and all original music for the short lived show Wanda At Large, which starred Wanda Sykes and was broadcast by the Fox Network. During this time and between continuous touring, Math ematics started work on his first solo full length project, Love, Hell Or Right. Completely mixed, arranged and produced by himself, Love Hell or Right was released fall 2003 on his own Quewisha Records label in conjunction with High Times Records, and it went on to sell 30,000 units.
As well as using rappers from Mathematics' home borough of Queens, Eyes-Low and Buddah Bless, Love Hell Or Right had appearances from all the Wu-Tang Clan members except GZA and the then-imprisoned Ol' Dirty Bastard. Mathematics soon signed to the popular independent hip hop label Nature Sounds (home to Wu-Tang colleague Masta Killa as well as MF DOOM) and released his second album The Problem in 2005. On this album the entire Wu-Tang Clan appeared, including a posthumous appearance from Ol' Dirty Bastard. As well as working on his solo albums, Mathematics has continued to contribute beats to many Wu-Tang releases, including the first albums by Masta Killa and Streetlife. In January 2012 he was to release a sequel to The Problem entitled The Answer, entirely produced by him with Wu-Tang members such as Raekwon, GZA, Method Man, Cappadonna, Masta Killa, Ol' Dirty Bastard, Ghostface Killah. Other artists include Redman and artists he is developing such as Ali Vegas, Eyeslow and Bad Luck.
Read more about this topic: Mathematics (producer)
Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“By bourgeoisie is meant the class of modern capitalists, owners of the means of social production and employers of wage labor. By proletariat, the class of modern wage laborers who, having no means of production of their own, are reduced to selling their labor power in order to live.”
—Friedrich Engels (1820–1895)
“The development of civilization and industry in general has always shown itself so active in the destruction of forests that everything that has been done for their conservation and production is completely insignificant in comparison.”
—Karl Marx (1818–1883)