A Master of Fine Arts (MFA, M.F.A.) is a graduate degree typically requiring 2–3 years of postgraduate study beyond the bachelor's degree (BFA), although the term of study will vary by country or by university. The MFA is usually awarded in visual arts, creative writing, filmmaking, dance, or theatre/performing arts. Coursework is primarily of an applied or performing nature with the program often culminating in a major work or performance.
Master of Fine Arts programs have generally required a bachelor's degree prior to admission, but many do not require that the undergraduate major be the same as the MFA field of study. The most important admissions requirement has often been a sample portfolio or a performance audition.
The Master of Fine Arts differs from the Master of Arts in that the MFA, while an academic program, centers around practice in the particular field, whereas programs leading to the MA usually center on the scholarly, academic, or critical study of the field.
In the United States, a Master of Fine Arts is seen as a terminal degree, meaning that it is considered to be the highest degree in its field. In the interest of extending the connection between creative production and continued academic research, however, some universities have established competing Ph.D programs in fields such as creative writing, visual arts, and theater.
Famous quotes containing the words master of, master, fine and/or arts:
“A master of men was the Goodly Fere,
A mate of the wind and sea,
If they think they ha’ slain our Goodly Fere
They are fools eternally.
I ha’ seen him eat o’ the honey-comb
Sin’ they nailed him to the tree.”
—Ezra Pound (1885–1972)
“Remember that you are an actor in a drama, of such a part as it may please the master to assign you, for a long time or for a little as he may choose. And if he will you to take the part of a poor man, or a cripple, or a ruler, or a private citizen, then may you act that part with grace! For to act well the part that is allotted to us, that indeed is ours to do, but to choose it is another’s.”
—Epictetus (c. 55–135 B.C.)
“The perception of the comic is a tie of sympathy with other men, a pledge of sanity, and a protection from those perverse tendencies and gloomy insanities in which fine intellects sometimes lose themselves. A rogue alive to the ludicrous is still convertible. If that sense is lost, his fellow-men can do little for him.”
—Ralph Waldo Emerson (1803–1882)
“Self-expression is not enough; experiment is not enough; the recording of special moments or cases is not enough. All of the arts have broken faith or lost connection with their origin and function. They have ceased to be concerned with the legitimate and permanent material of art.”
—Jane Heap (c. 1880–1964)