Masaya Nakamura (photographer) - Books Showing Nakamura's Works

Books Showing Nakamura's Works

  • Guramaa foto no utsushikata (グラマア・フォトの写し方). Jitsuyō Hyakka Sensho. Tokyo: Kin'ensha, 1957.
  • (French) Nus japonais. Paris: Editions Prisma, 1959.
  • Young Nude. Camera-Art-sha, 1961.
  • Nude nishi to higashi (Nude西と東). Tokyo: Mainichi Shinbunsha, 1969.
  • Ema nūdo in Afurika: Kami kara nusunda atsui hadaka (エマ・ヌード・イン・アフリカ:神から盗んだ熱い裸) / Ema Nude in Africa. Tokyo: Heibonsha, 1971. Revised. Sonorama Shashin Sensho 13. Tokyo: Asahi Sonorama, 1978.
  • Onna no anguru (女のアングル). Gendai Kamera Shinsho. Tokyo: Asahi Sonorama, 1976.
  • Boku no shigoto: Nakamura Masaya (僕の仕事・中村正也). Special issue (bessatsu) of Photo Contest. Tokyo, 1976.
  • Utsusareta onna (写された女) / Woman's Sphere. Tokyo: Azuma Shuppan, 1978.
  • Iki (粋). Nihon no Kokoro 6. Tokyo: Shūeisha, 1981.
  • (Japanese) Nakamura Masaya (中村正也). Shōwa Shashin Zenshigoto 8. Tokyo: Asahi Shinbunsha, 1983.
  • Denshin otama: Kaika sōshi (電信お玉 開化草紙). Tokyo: Canon Club, 1984.
  • Kyō no shiki (京の私季). Tokyo: Kumon, 1985. With haiku by Ushio Tsunemoto (津根元潮, Tsunemoto Ushio).
  • Ao kimono tachi (青きものたち). BeeBooks. Tokyo: Okamura, 1990.
  • Hiru-sagari no shisen (昼下がりの視線) / A Midday Stroll. Genkōsha Mook 30 Photo Salon. Genkōsha, 1990. ISBN 4-7683-0013-8.
  • Supein (スペイン<炎の喝采>). Tokyo: Nippon Camera, 1991.
  • Yume machigusa (夢まちぐさ). Nihon Manpower, 1992. ISBN 4-8220-0038-9.
  • Kyō ochikochi: Miyakobito to sennen no kokoro to shiki no en (京・をちこち:都びと千年の心と四季の艶). BeeBooks. Tokyo: Okamura, 1993. ISBN 4-89615-160-7.
  • Nyūjīrando kikō (ニュージーランド紀行) / New Zealand. Tokyo: Nippon Camera, 1995. ISBN 4-8179-2032-7.
  • Yūshun, sarabureddo (優駿・サラブレッド). Kukizaki-machi, Ibaraki: Keiba Techō Sha, 1996. ISBN 4-924426-50-4.
  • 中村正也作品展:戦後の座標. JICC Photo Salon Library 78. Tokyo: JICC Photo Salon, 1998.
  • 中村正也作品展:「野分け」と正也の世界. JCII photo salon library 131. Tokyo: JICC Photo Salon, 2002.

Read more about this topic:  Masaya Nakamura (photographer)

Famous quotes containing the words books, showing and/or works:

    Ambivalence reaches the level of schizophrenia in our treatment of violence among the young. Parents do not encourage violence, but neither do they take up arms against the industries which encourage it. Parents hide their eyes from the books and comics, slasher films, videos and lyrics which form the texture of an adolescent culture. While all successful societies have inhibited instinct, ours encourages it. Or at least we profess ourselves powerless to interfere with it.
    C. John Sommerville (20th century)

    It is by teaching that we teach ourselves, by relating that we observe, by affirming that we examine, by showing that we look, by writing that we think, by pumping that we draw water into the well.
    Henri-Frédéric Amiel (1821–1881)

    We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.
    Clive Bell (1881–1962)