Mary Moorman - Photo of Texas Book Depository

Photo of Texas Book Depository

Moorman also took a photo of the Presidential limousine which shows the sixth-floor window of the Texas School Book Depository in the background, moments before the shots were fired. Developed on the scene, Dallas deputy sheriff John Wiseman asked for the photo from Moorman. Wiseman told the Dallas sheriff's department that he had looked at the picture, but he was not asked what the image on the photo showed. Lawyer and investigator Mark Lane told Playboy magazine that Moorman's picture was turned over by Wiseman to agents of the United States Secret Service. In the February 1967, Playboy interview, Lane states that the photo has never been published. No one will say where it is, nor is it available in the National Archives. Lane assumed the United States Government was keeping the photo at an undisclosed place. However, he said no one would say where it is. Lane elaborated, saying that Moorman's photo probably showed Lee Harvey Oswald or anyone who may have been shooting at the President's car, because it was taken just seconds prior to shots being fired, Lane speculated that it might have been published on the cover of the Warren Report. The Polaroid image would possibly have shown whether Oswald was the shooter. It may have indicated the origin of some of the shots fired at the Presidential limousine, as well. Lane left it open for readers to determine their conclusions as to what Moorman's picture did or did not show.

Read more about this topic:  Mary Moorman

Famous quotes containing the words photo of, photo, texas, book and/or depository:

    A photo of someone else’s childhood,
    a garden in another country—world
    he had no part in and has no power to imagine:
    yet the old man who has failed his memory
    keens over the picture— ‘Them happy days—
    gone—gone for ever!’
    Denise Levertov (b. 1923)

    All photographs are there to remind us of what we forget. In this—as in other ways—they are the opposite of paintings. Paintings record what the painter remembers. Because each one of us forgets different things, a photo more than a painting may change its meaning according to who is looking at it.
    John Berger (b. 1926)

    The safety of the republic being the supreme law, and Texas having offered us the key to the safety of our country from all foreign intrigues and diplomacy, I say accept the key ... and bolt the door at once.
    Andrew Jackson (1767–1845)

    The last publicized center of American writing was Manhattan. Its writers became known as the New York Intellectuals. With important connections to publishing, and universities, with access to the major book reviews, they were able to pose as the vanguard of American culture when they were so obsessed with the two Joes—McCarthy and Stalin—that they were to produce only two artists, Saul Bellow and Philip Roth, who left town.
    Ishmael Reed (b. 1938)

    What a wonderful faculty is memory!—the most mysterious and inexplicable in the great riddle of life; that plastic tablet on which the Almighty registers with unerring fidelity the records of being, making it the depository of all our words, thoughts and deeds—this faithful witness against us for good or evil.
    Susanna Moodie (1803–1885)