Marriage
During high school, Martin dated Benjamin Hagman, before she was packed off to finishing school at Ward-Belmont in Nashville, Tennessee. During that time, she enjoyed imitating Fanny Brice at singing gigs, but she found school dull and felt confined by its strict rules. She was homesick for Weatherford, her family, and Hagman. During a visit, Mary and Benjamin persuaded Mary's mother to allow them to marry. They did, and by the age of 17, Martin was legally married, pregnant with her first child (Larry Hagman) and forced to leave Ward-Belmont. She was, however, happy to begin her new life. But she soon learned that this life, as she would later say, was nothing but “role playing” (p. 39).
Their honeymoon was at her parents' house, and Martin's dream of life with a family and a white-picket fence faded. “I was 17, a married woman without real responsibilities, miserable about my mixed-up emotions, afraid there was something awfully wrong with me because I didn’t enjoy being a wife. Worst of all, I didn't have enough to do” (p. 39). It was “Sister” who came to her rescue, suggesting that she should teach dance. “Sister” taught Martin her first real dance—the waltz clog. Martin perfectly imitated her first dance move, and she opened a dance studio. Here, she created her own moves, imitated the famous dancers she watched in the movies, and taught “Sister’s” waltz clog. As she later recalled, “I was doing something I wanted to do—creating” (p. 44).
Read more about this topic: Mary Martin
Famous quotes containing the word marriage:
“Adultery is the vice of equivocation.
It is not marriage but a mockery of it, a merging that mixes love and dread together like jackstraws. There is no understanding of contentment in adultery.... You belong to each other in what together you’ve made of a third identity that almost immediately cancels your own. There is a law in art that proves it. Two colors are proven complimentary only when forming that most desolate of all colors—neutral gray.”
—Alexander Theroux (b. 1940)
“Why don’t you go home to your wife? I’ll tell you what. I’ll go home to your wife and outside of the improvements, you’ll never know the difference. Pull over to the side of the road there and let me see your marriage license.”
—S.J. Perelman, U.S. screenwriter, Bert Kalmar, Harry Ruby, and Norman Z. McLeod. Groucho Marx, Horsefeathers, a wisecrack made to Huxley College’s outgoing president (1932)
“What is any respectable girl brought up to do but to catch some rich man’s fancy and get the benefit of his money by marrying him?—as if a marriage ceremony could make any difference in the right or wrong of the thing!”
—George Bernard Shaw (1856–1950)