Career
Crosby may be most noted for her role as Kristin Shepard (Sue Ellen Ewing's scheming sister) on the Television drama series Dallas from 1979 to 1981. Her character is perhaps best remembered for her part in the cliffhanger ending of the 1979–1980 season of Dallas, entitled "A House Divided", that was resolved in the fourth episode of the following season, "Who Done It". In that highly watched episode, J.R. Ewing, (played by Larry Hagman) was shot by an unknown assailant. Viewers had to wait all summer (and most of the fall due to a Hollywood actors' strike) to learn whether J.R. would survive, and which of his many enemies was responsible. During the summer of 1980, the question, "Who shot J.R.?", was being asked in everyday conversations around the world. Ultimately, Kristin Shepard (Crosby) was revealed to have been the person who pulled the trigger in the classic "Who Shot J.R.?" episode that aired on November 21, 1980. It was one of the highest-rated episodes of a TV show ever aired. Crosby's character, Kristin Shepard, later crossed over to the TV series Knots Landing in the 1980–81 season. In 1981, Kristin returned to Dallas. Once again the focus of a highly rated cliffhanger, it was revealed in the season opening episode (October 9, 1981) that it was Kristin's body that was found floating in the Southfork Ranch swimming pool. She returned for the final fantasy episode of Dallas in 1991, playing the same character had she never met J.R..
Crosby starred in ABC miniseries Hollywood Wives (1985) and North and South, Book II (1986). Crosby guest-starred on the Hotel, The Love Boat, Murder, She Wrote, Lois & Clark: The New Adventures of Superman, Star Trek: Deep Space Nine, Dream On (TV series) and Beverly Hills, 90210. In 1981, Crosby played the leading role of a woman stalked in the remake of the Doris Day thriller Midnight Lace. Her other film credits include Last Plane Out (1983), The Ice Pirates (1984), Tapeheads (1988) and The Legend of Zorro (2005).
Read more about this topic: Mary Crosby
Famous quotes containing the word career:
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)