Career
Crosby may be most noted for her role as Kristin Shepard (Sue Ellen Ewing's scheming sister) on the Television drama series Dallas from 1979 to 1981. Her character is perhaps best remembered for her part in the cliffhanger ending of the 1979–1980 season of Dallas, entitled "A House Divided", that was resolved in the fourth episode of the following season, "Who Done It". In that highly watched episode, J.R. Ewing, (played by Larry Hagman) was shot by an unknown assailant. Viewers had to wait all summer (and most of the fall due to a Hollywood actors' strike) to learn whether J.R. would survive, and which of his many enemies was responsible. During the summer of 1980, the question, "Who shot J.R.?", was being asked in everyday conversations around the world. Ultimately, Kristin Shepard (Crosby) was revealed to have been the person who pulled the trigger in the classic "Who Shot J.R.?" episode that aired on November 21, 1980. It was one of the highest-rated episodes of a TV show ever aired. Crosby's character, Kristin Shepard, later crossed over to the TV series Knots Landing in the 1980–81 season. In 1981, Kristin returned to Dallas. Once again the focus of a highly rated cliffhanger, it was revealed in the season opening episode (October 9, 1981) that it was Kristin's body that was found floating in the Southfork Ranch swimming pool. She returned for the final fantasy episode of Dallas in 1991, playing the same character had she never met J.R..
Crosby starred in ABC miniseries Hollywood Wives (1985) and North and South, Book II (1986). Crosby guest-starred on the Hotel, The Love Boat, Murder, She Wrote, Lois & Clark: The New Adventures of Superman, Star Trek: Deep Space Nine, Dream On (TV series) and Beverly Hills, 90210. In 1981, Crosby played the leading role of a woman stalked in the remake of the Doris Day thriller Midnight Lace. Her other film credits include Last Plane Out (1983), The Ice Pirates (1984), Tapeheads (1988) and The Legend of Zorro (2005).
Read more about this topic: Mary Crosby
Famous quotes containing the word career:
“A black boxers career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
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“Whether lawyer, politician or executive, the American who knows whats good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)
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