Marty (film) - Production

Production

For the film, Esther Minciotti, Augusta Ciolli and Joe Mantell reprised their roles from the live television production. The screenplay changed the name of the Waverly Ballroom to the Stardust Ballroom. The film expanded the role of Clara, and subplots about Marty's career and his mother and her sister were added.

Shooting for the film began on September 7, 1954, in The Bronx, and included many aspects of the borough into the film, such as Grand Concourse, Arthur Avenue, Gun Hill Road, White Plains Road, and several Bronx subway and elevated train lines, including the Concourse, Third Avenue, White Plains Road, and Jerome Avenue lines. On-set filming took place at Samuel Goldwyn Studios on November 1, 1954. Bronx native Jerry Orbach made his film debut in an uncredited role as a ballroom guest. Chayefsky had an uncredited cameo as Leo.

The role of Clara was initially going to be reprised by actress Nancy Marchand, later of Lou Grant and The Sopranos fame, who had portrayed the character in the television version. However, actress Betsy Blair was interested in playing the role and lobbied hard for it. At the time, Blair, who was married to actor Gene Kelly, had been blacklisted due to her Marxist and Communist sympathies. It was only through the lobbying of Kelly, who used his major star status and connections at MGM to pressure United Artists, that Blair got the role. Reportedly, Kelly threatened to pull out of the film It's Always Fair Weather if Blair did not get the role of Clara.

Read more about this topic:  Marty (film)

Famous quotes containing the word production:

    [T]he asphaltum contains an exactly requisite amount of sulphides for production of rubber tires. This brown material also contains “ichthyol,” a medicinal preparation used externally, in Webster’s clarifying phrase, “as an alterant and discutient.”
    State of Utah, U.S. public relief program (1935-1943)

    I really know nothing more criminal, more mean, and more ridiculous than lying. It is the production either of malice, cowardice, or vanity; and generally misses of its aim in every one of these views; for lies are always detected, sooner or later.
    Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)

    Every production of an artist should be the expression of an adventure of his soul.
    W. Somerset Maugham (1874–1965)