Martin Johnson Heade - Works

Works

  • Portrait of a Man, 1840

  • Rocks in New England, 1855

  • Mary Rebecca Clark, 1857

  • Rhode Island Landscape, 1859

  • A Vase of Corn Lilies and Heliotrope, 1863

  • Hunters Resting, 1863

  • Sunrise in Nicaragua, 1869

  • Passion Flowers with Hummingbirds, 1870-1883

  • Orchid with Two Hummingbirds, 1871, Reynolda House Museum of American Art

  • Orchids and Hummingbirds, 1875-1890

  • Orchid and Hummingbird, 1880

  • Orchid and Hummingbird near a Mountain Waterfall, 1902

  • Florida River Scene: Early Evening, After Sunset, c. 1887-1900

  • On the San Sebastian River, Florida, 1883-1890

  • Sudden Showers, Newbury Marshes, c. 1865-1875

  • The Marshes at Rhode Island, 1866

  • Jersey Marshes, 1874

  • Sunset Over the Marshes, 1890-1904

  • Magnolia Grandiflora, 1885-1895

  • Orchids and Spray Orchids with Hummingbird, about 1875–90

  • Blue Morpho Butterfly, date unknown

  • Seascape: Sunset, date unknown

Read more about this topic:  Martin Johnson Heade

Famous quotes containing the word works:

    “The difference between de jure and de facto segregation is the difference open, forthright bigotry and the shamefaced kind that works through unwritten agreements between real estate dealers, school officials, and local politicians.”
    —Shirley Chisholm (b. 1924)

    “There is a great deal of self-denial and manliness in poor and middle-class houses, in town and country, that has not got into literature, and never will, but that keeps the earth sweet; that saves on superfluities, and spends on essentials; that goes rusty, and educates the boy; that sells the horse, but builds the school; works early and late, takes two looms in the factory, three looms, six looms, but pays off the mortgage on the paternal farm, and then goes back cheerfully to work again.”
    —Ralph Waldo Emerson (1803–1882)

    “One of the surest evidences of an elevated taste is the power of enjoying works of impassioned terrorism, in poetry, and painting. The man who can look at impassioned subjects of terror with a feeling of exultation may be certain he has an elevated taste.”
    —Benjamin Haydon (1786–1846)