Martin Doherty - Background and IRA Activity

Background and IRA Activity

Doherty was born on 11 July 1958 in the Finglas area of Dublin, into a family of five brothers and six sisters. He played soccer for a club in Dunsink, in addition to Gaelic football. He joined the IRA's Dublin Brigade following the death of ten Irish republican hunger strikers in the 1981 Irish hunger strike. In 1982 Doherty was arrested and imprisoned in Portlaoise Prison due to the actions of a Garda informant, and was released in 1988. Following his release from prison Doherty began working as a labourer in the construction industry. He also returned to active service in the IRA's armed campaign in England. Doherty was arrested on his second visit to England and charged with conspiring to cause explosions, before being released in January 1991 due to lack of evidence and returning home to the Republic of Ireland.

Read more about this topic:  Martin Doherty

Famous quotes containing the words background and, background and/or activity:

    I had many problems in my conduct of the office being contrasted with President Kennedy’s conduct in the office, with my manner of dealing with things and his manner, with my accent and his accent, with my background and his background. He was a great public hero, and anything I did that someone didn’t approve of, they would always feel that President Kennedy wouldn’t have done that.
    Lyndon Baines Johnson (1908–1973)

    Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality can disturb us.
    Henry David Thoreau (1817–1862)

    To play is nothing but the imitative substitution of a pleasurable, superfluous and voluntary action for a serious, necessary, imperative and difficult one. At the cradle of play as well as of artistic activity there stood leisure, tedium entailed by increased spiritual mobility, a horror vacui, the need of letting forms no longer imprisoned move freely, of filling empty time with sequences of notes, empty space with sequences of form.
    Max J. Friedländer (1867–1958)