Writing
In 1997, Noxon joined the writing staff of Buffy the Vampire Slayer for its second season. During her tenure there, she would go on to write or co-write 22 episodes of the series, half of these during her first two years on the show.
In 1999, Noxon co-wrote Just a Little Harmless Sex with Roger Mills.
In 2004, Noxon wrote and produced a pilot entitled Still Life for Fox about a family recovering from the death of their son, a police officer. The pilot was not picked up.
In January 2005, Noxon co-created the supernatural drama Point Pleasant with John McLaughlin. Despite an initial strong following, viewership dropped dramatically, and only 11 of the 13 filmed episodes would go on to air on Fox.
In February 2007, Noxon co-wrote the third-season Grey's Anatomy episode "Some Kind of Miracle" with series creator Shonda Rhimes.
In late 2007, Noxon served as head writer during the first season of Private Practice, after which she left to " on to other projects".
In 2008, Noxon co-wrote a second-season episode of the AMC drama series Mad Men, "The Inheritance", for which she was nominated for a 2009 Writers Guild of America Award for Best Dramatic Series. She won the WGA Award for Best Drama Series (after being nominated for the second consecutive year) at the February 2010 ceremony for her work on the third season of Mad Men.
She wrote the screenplay of the 2011 remake of Fright Night, directed by Craig Gillespie.
In 2011, she joined the writing team of FOX's Glee for its third season. And will not be returning, as confirmed on Twitter on 4th June 2012.
Read more about this topic: Marti Noxon
Famous quotes containing the word writing:
“The human head is bigger than the globe. It conceives itself as containing more. It can think and rethink itself and ourselves from any desired point outside the gravitational pull of the earth. It starts by writing one thing and later reads itself as something else. The human head is monstrous.”
—Günther Grass (b. 1927)
“Every writing career starts as a personal quest for sainthood, for self-betterment. Sooner or later, and as a rule quite soon, a man discovers that his pen accomplishes a lot more than his soul.”
—Joseph Brodsky (b. 1940)
“Success and failure on the public level never mattered much to me, in fact I feel more at home with the latter, having breathed deep of its vivifying air all my writing life up to the last couple of years.”
—Samuel Beckett (1906–1989)