Martha Grimes - Works

Works

Richard Jury series

  • The Man With a Load of Mischief (Boston: Little, Brown, 1981)
  • The Old Fox Deceiv'd (Boston: Little, Brown, 1982)
  • The Anodyne Necklace (Boston: Little, Brown, 1983)
  • The Dirty Duck (Boston: Little, Brown, 1984)
  • Jerusalem Inn (Boston: Little, Brown, 1984)
  • Help the Poor Struggler (Boston: Little, Brown, 1985)
  • The Deer Leap (Boston: Little, Brown, 1985)
  • I Am the Only Running Footman (Boston: Little, Brown, 1986)
  • The Five Bells and Bladebone (Boston: Little, Brown, 1987)
  • The Old Silent (Boston: Little, Brown, 1989)
  • The Old Contemptibles (Boston: Little, Brown, 1991)
  • The Horse You Came In On (New York: Alfred A. Knopf, 1993)
  • Rainbow's End (New York: Alfred A. Knopf, 1995)
  • The Case Has Altered (New York: Alfred A. Knopf, 1997)
  • The Stargazey (New York: Holt, 1998)
  • The Lamorna Wink (New York: Viking, 1999)
  • The Blue Last (New York: Viking, 2001)
  • The Grave Maurice (New York: Viking Penguin, 2002)
  • The Winds of Change (New York: Viking Penguin, 2004)
  • The Old Wine Shades (New York: Viking Penguin, 2006)
  • Dust (New York: Viking Penguin, 2007)
  • The Black Cat (New York: Viking Penguin, 2010)

Andi Olivier series

  • Biting the Moon (New York: Holt, 1999)
  • Dakota (New York: Viking Adult, 2008)

featuring Maud Chadwick (who is also a character in the Emma Graham Series)

  • The End of the Pier (Ballantine Books, 1993)

Emma Graham series

  • Hotel Paradise (Knopf, 1996)
  • Cold Flat Junction (2000)
  • Belle Ruin (2005)
  • Fadeaway Girl (2011)

Novels, Short Stories & Poetry

  • Send Bygraves (Putnam, 1990)
  • The Train Now Departing (New York: Viking, 2001)
  • Foul Matter (New York: Viking Penguin, 2003)

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Famous quotes containing the word works:

    “Most young black females learn to be suspicious and critical of feminist thinking long before they have any clear understanding of its theory and politics.... Without rigorously engaging feminist thought, they insist that racial separatism works best. This attitude is dangerous. It not only erases the reality of common female experience as a basis for academic study; it also constructs a framework in which differences cannot be examined comparatively.”
    —bell hooks (b. c. 1955)

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