Marjorie Lawrence - Career

Career

In January 1932 Lawrence made her operatic debut in Monte Carlo as Elisabeth in Richard Wagner's Tannhäuser. On 25 February 1933, she made her first appearance at the Opera Garnier in Paris, playing Ortrud in Lohengrin, and in the same year she sang in the world premiere of Joseph Canteloube's Vercingétorix.

On 18 December 1935, she made her debut at the Metropolitan Opera in New York City playing Brünnhilde in Die Walküre, and the following year played the immolation scene in Götterdämmerung by riding her horse into the flames as Wagner had intended, the first soprano to do so. She had been an athletic child and learned to ride in Australia. In this famous performance, Lauritz Melchior was her Siegfried. The performance was recorded and is the only complete Götterdämmerung Siegfried by Melchior on record.

Lawrence's physicality and beauty made her popular with audiences – she performed the "Dance of the Seven Veils" in Richard Strauss's Salome more convincingly than most other sopranos. Just as Lawrence's great compatriot Florence Austral had been able to alternate the role of Brünnhilde with Frida Leider, she herself was able to alternate the role with Kirsten Flagstad at the Metropolitan in 1937.

Lawrence returned to Australia periodically from 1939, where English critic Neville Cardus wrote of the "'unselfconscious pathos' and 'intimate poetry' in her performances, of the 'superb range' of her powerful voice, 'rich in vocal splendour' throughout".

On 29 March 1941, at New York City's City Hall, she married Dr. Thomas King, an osteopath and Christian Scientist.

During a performance in 1941 in Mexico, Lawrence found herself unable to stand—she had polio. She undertook the Sister Kenny treatment of muscle stimulation for paralysis in both legs. She returned to the stage 18 months later, performing in a chair, reclining or on a special platform; although hampered by her lack of mobility, she continued to perform until 1952. In 1944, during World War II, she performed in charity concerts to entertain troops in Australia, seated in a chair. A performance as Amneris in Giuseppe Verdi's Aida in Paris in 1946 was well received as were concert appearances of Richard Strauss's Elektra in December 1947 with the Chicago Symphony Orchestra and Artur Rodzinski, but Lawrence left the stage, and instead began to work as a teacher. She retired to her ranch, Harmony Hills, in Hot Springs, Arkansas where she taught international students until her death in 1979.

Although best known for her Wagnerian interpretations, Lawrence played in a range of other works, including Salome and Georges Bizet's Carmen. She made a number of excellent recordings, mainly of works by Wagner. She received many good reviews throughout her career. She had a solid career in France, Mexico, Australia and throughout South America, as well as the US. However, she was unable to build a substantial career other of parts due to the World War II, when her voice was prime. In 1946 she was awarded the cross of the Légion d'honneur for her work in France.

In 1949, Lawrence wrote her autobiography Interrupted Melody; by February 1950, Hollywood was interested in making a film and Lawrence indicated "If a film is made I will do the singing". In 1955, Metro-Goldwyn-Mayer released the film version, Interrupted Melody, starring Eleanor Parker as Lawrence; Parker mimed to the voice of Eileen Farrell. Lawrence criticised the film as being untrue to her life.

Lawrence died, aged 71, of heart failure on 13 January 1979 at St Vincent's Hospital, Little Rock, Arkansas, and was buried in Greenwood Cemetery in Hot Springs, where she had made her home for many years.