Further Reading
- Coal Faces Mining Lives. Portraits of an industry and its people, Imogen D. Townsend. The National Mining Museum for England Trust Ltd 2005. ISBN 1-872925-10-3
- Shafts of Light: Mining Art in the Great Northern Coalfield, Robert McManners and Gillian Wales, Gemini Productions, 2002. ISBN 978-0-9532217-1-4
- The Artists of Northumbria, Marshall Hall, Art Dictionaries, Bristol, England, 2005. ISBN 0-9532609-9-2
- Marjorie Arnfield, A Celebration of her Life and Work, Djanogly Art Gallery, Nottingham University, 2001. ISBN 1-900809-95-8
- St Ives Journey, Artists & Illustrators, September 2000, ISSN 02694697
- In Conversation, Marjorie Arnfield, The Artist, March 1999, ISSN 00043877
- Testament To Coal, Artists & Illustrators, October 1998, ISSN 02694697
- Marjorie Arnfield, National Coal Mining Museum for England, May 1998
- Marjorie Arnfield, Artist's Statement, written by the artist about her personal reasons for her mining art, and published for an exhibition at Bishop Auckland Town Hall, 1999.
- An Artist's Retreat, Woman and Home Magazine, February 1995
- Durham Biographies Volume 6, Durham County Historical Society, December 2009
Read more about this topic: Marjorie Arnfield
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“There is a note in the front of the volume saying that no public reading ... may be given without first getting the authors permission. It ought to be made much more difficult to do than that.”
—Robert Benchley (18891945)
“After reading Howitts account of the Australian gold-diggings one evening,... I asked myself why I might not be washing some gold daily, though it were only the finest particles,why I might not sink a shaft down to the gold within me, and work that mine.... At any rate, I might pursue some path, however solitary and narrow and crooked, in which I could walk with love and reverence.”
—Henry David Thoreau (18171862)