Works
1989: Minter created a series of works based on images from hardcore pornography, she believes that nobody has politically correct fantasies. Minter thinks that women should have sexual imagery for their own pleasure. She reclaimed images from an abusive history asking the question, does it change the meaning if a woman uses these kinds of images. At the time this was a very complicated issue, and there were no simple answers. The timing was terrible as this was the pinnacle of political correctness.
1990: Minter produced her first video "100 Food Porn" This video was used as a television advertisement to promote her exhibition at the Simon Watson Gallery in New York. Minter used the gallery's art advertising budget to buy 30 seconds on late night television in lieu of traditional print ad's. This was the very first commercial to advertise an artists' show on late night television. She bought time slots on David Letterman, Arsenio Hall, and Nightline. (It cost $1,800 to buy a 30 second slot on David Letterman at that time.) "100 Food Porn" was shot and directed by NY documentary filmmaker Ted Haimes.
Through the 1990s she refined her works, which despite still having pornographic undertones, exuded a sense of glamour and high-fashion.
2005: Minter had a solo exhibition at the San Francisco Museum of Modern Art. This exhibition focused on hyperrealistic close-ups of seemingly glamorous images, including makeup-laden lips, eyes, and toes.
2006: Minter was featured in the Whitney Bienniale, and in a partnership with Creative Time, Minter was given ad space on four billboards in Manhattan's Chelsea district. The billboards presented photographs of high heels kicking around in dirty water, and stayed up in Chelsea for a month.
2007: Minter's first retrospective monograph was published Minter had shows in Sweden, the U.K., Spain, and France. A series of photographs she took of Pamela Anderson, commissioned by the art quarterly Parkett, were later featured on the cover of Zoetrope: All-Story. Her book involved a heavy gloss, multi-colored paper making it feel almost wet, setting the book apart. She was presented at the Rencontres d'Arles festival, France. Laureate to the Discovery Award.
2008: Minter collaborated with international skate/street wear brand Supreme to produce three limited edition skate decks.
2009: Minter produced her second video "Green Pink Caviar" Variations of "Green Pink Caviar" video were shown on billboards in Times Square, New York city and in Los Angeles. Excerpts of the same video were used as the backdrop for the opening song in Madonna's Sticky & Sweet Tour. The full length version of the video was played in the lobby of the Museum of Modern Art for more than a year.
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