Career
Shaiman started his career as a theatre/cabaret musical director. He then became vocal arranger for Bette Midler, eventually becoming her musical director and co-producer of many of her recordings, including The Wind Beneath My Wings and From a Distance. He helped create the material for her performance on the penultimate The Tonight Show Starring Johnny Carson. His work with both Bette Midler and Billy Crystal led to his involvement on their films.
His film credits include Broadcast News, Beaches, When Harry Met Sally..., City Slickers, The Addams Family, Sister Act, Sleepless in Seattle, A Few Good Men, The American President, The First Wives Club, George of the Jungle, In & Out, Patch Adams, South Park: Bigger, Longer & Uncut, Team America: World Police, Flipped, and HBO's From the Earth to the Moon, and 61*. He frequently works on films by Billy Crystal and Rob Reiner. He has also appeared in many of these films.
Shaiman has earned five Academy Award nominations, a Tony Award and a Grammy Award for his work on the musical Hairspray, and an Emmy Award for co-writing Billy Crystal's Academy Award performances. He has also been Grammy nominated twice for his arrangements for Harry Connick Jr.'s recordings When Harry Met Sally... and We Are in Love and Emmy nominated for his work on Saturday Night Live. In 2002, he was honored with the "Outstanding Achievement in Music-In-Film" award at The Hollywood Film Festival, and in 2007 he was honored with ASCAP's Henry Mancini Award in recognition of his outstanding achievements and contributions to the music of film and television. He is the first recipient of the Film & TV Music Award for Best Score for a Comedy Feature Film.
Fans of Saturday Night Live may recognize Shaiman as Skip St. Thomas, the accompanying pianist for The Sweeney Sisters, a singing duo played by Nora Dunn and Jan Hooks, which earned him an Emmy nomination. He began his professional relationships with Billy Crystal and Martin Short during his tenure at Saturday Night Live. He wrote and sang a song for his agent's film Finding Kraftland; the song was called Yes.
To protest the passage of California Proposition 8 in November 2008, Shaiman wrote a satiric mini-musical called "Prop 8 — The Musical". The 3-minute video was distributed on the internet at FunnyOrDie.com beginning on December 3, 2008. It was written and produced in just a few days. The cast includes Jack Black (who plays Jesus), Neil Patrick Harris, John C. Reilly, Allison Janney, Andy Richter, Maya Rudolph, Margaret Cho, Rashida Jones and other celebrities. Shaiman plays the piano and appears briefly on the video. It received 1.2 million internet hits in its first day.
Most recently, he has co-written (with partner Wittman) songs for Neil Patrick Harris when Harris hosted the 63rd Tony Awards (2009) and the 61st Primetime Emmy Awards (2009) and was Emmy nominated for musical directing and co-writing the 82nd Academy Awards (2010).
Shaiman co-produced and co-wrote cuts on Mariah Carey's new CD Merry Christmas II You.
He is writing original songs for the new musical-based television show for NBC, Smash, premiering February 2012, as well as serving as Executive Producer.
Read more about this topic: Marc Shaiman
Famous quotes containing the word career:
“In time your relatives will come to accept the idea that a career is as important to you as your family. Of course, in time the polar ice cap will melt.”
—Barbara Dale (b. 1940)
““Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.”
—Lawrence Kutner (20th century)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)