Theatre
The Rahbani singing theatre is considered as a unique form, which differs somewhat from the international standard for operas. It focuses on the values of dignity, truth, gracefulness, and the depth of its philosophical subjects in order to concentrate on the three main subjects of God, the Human Being, and the Land. Taking the Piccadilly Theatre in Beirut as its springboard, the Rahbani Theatre flew to the entirety of the Arab world, and gave distinguished performances in Jordan, Kuwait, Iraq, Egypt, the Arab Emirates, Syria, Tunisia, Morocco, Algeria and Libya, in addition to several artistic tours in the cities of London, Manchester, Paris, Rio de Janeiro, Sao Paulo, Buenos Aires, twelve American states and Canada.
The writings of the Rahbani Theatre are concerned with history, the country, the land, the future, and of course the fate of the poor and common people, with special emphasis on Lebanese folklore. The Rahbani Theatre also tackles the various socio-political problems of the Arab world, as shown in the Brothers’ numerous songs about the crises of Palestine and Algeria. The Rahbani Theatre has succeeded in introducing a new generation of singers, who went on to become famous stars in the Arab world.
The Rahbani repertoire includes plays, poems and melodies that were introduced in the study programs of famous universities around the world, including the Sorbonne, Harvard, Oxford, as well as universities in Lebanon and the Arab world. The Rahbani Brothers have also extended their activities to the world of cinema, and composed the music for three illustrious films: Biyaa el Khawatem (The Ring Seller), Safar Barlek (Exile), and Bent el Hares (The Guardian’s Daughter). Following the death of his brother, Mansour wrote and produced grand theatrical plays, including Summer 840, The Will, The Last Days of Socrates, He Rose on the 3rd Day, The Maronite Mass, Abu Tayeb al Mutanabbi, Moulouk al Tawaef, The Last Day, Hekm al Rehyan, Gibran and the Prophet, Zenobia, and The Return of the Phoenix, which is his last masterpiece.
Read more about this topic: Mansour Rahbani
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“The theatre is the best way of showing the gap between what is said and what is seen to be done, and that is why, ragged and gap-toothed as it is, it has still a far healthier potential than some poorer, abandoned arts.”
—David Hare (b. 1947)
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Summer is changed to winter, the young grow old
The air is full of children, statues, roofs
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The most massive sopranos are singing songs of scales.”
—Wallace Stevens (1879–1955)
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—Rebecca West (1892–1983)