Music
The role of Manon Lescaut is a demanding one, with a very high tessitura, extended florid passages and arias of outstanding technical difficulty. Nonetheless, it also presents great opportunities for characterisation and (at least before the appearance of the operas on the same subject by Puccini and Massenet) was one of the staples of the operatic repertoire - not only in France, but also in Germany. The role of the Marquis d'Herigny, written for the famous baritone, Jean-Baptiste Faure, also features several significant solos; but the tenor role of Des Grieux (given two major arias by Massenet and three by Puccini) lacks a major solo, although the character does participate in a series of fine duets, notably at the death of Manon near the end of the opera.
One number in the score has retained its popularity with coloratura sopranos. This is Manon's solo, "C'est l'histoire amoureuse", also known as "L'éclat de rire" or the Laughing Song. It is not a free-standing aria - in fact, it forms part of the Act 1 finale - but ever since its creation it has been a chosen showcase for the technique of singers such as Adelina Patti (who sang it during the lesson scene in The Barber of Seville), Amelita Galli-Curci, Joan Sutherland and Edita Gruberová.
Read more about this topic: Manon Lescaut (Auber)
Famous quotes containing the word music:
“Truly fertile Music, the only kind that will move us, that we shall truly appreciate, will be a Music conducive to Dream, which banishes all reason and analysis. One must not wish first to understand and then to feel. Art does not tolerate Reason.”
—Albert Camus (1913–1960)
“Music is either sacred or secular. The sacred agrees with its dignity, and here has its greatest effect on life, an effect that remains the same through all ages and epochs. Secular music should be cheerful throughout.”
—Johann Wolfgang Von Goethe (1749–1832)