Personal Life and Death
He was a nephew of the noted Hindi film director Mahesh Kaul, who made films like Raj Kapoor starrer Sapnon Ka Saudagar (1968). Mani Kaul died on 6 July 2011 at his home in Gurgaon, near Delhi. He had been ailing for sometime.
According to a tribute from Prabha Mahajan on the Indian documentary film discussion network Docuwallahs2, Mani Kaul's significant body of work included both feature films and documentaries. In an interview Mani stated: "The dividing line from my films and documentaries is thin. Some of my films like "Siddheshwari" are like poetic documentaries." Mani Kaul's fellow alumni from FTII intend to put together a collective tribute to Mani Kaul and his work, and interested persons were invited to send in their thoughts on Mani as a film maker, teacher/ mentor, colleague, and as a person.
Indian film critic Khalid Mohamed commented, " As a film director, he discussed the status of women (Uski Roti, Duvidha), crafted visually seductive documentaries (Arrival, Before My Eyes, A Desert of a Thousand Lines) and went through a spell of interpreting Fyodor Dostoevsky’s masterworks. The Russian writer’s short story A Gentle Creature inspired Nazar, shot in low, chiaroscuro lighting."
Read more about this topic: Mani Kaul
Famous quotes containing the words personal, life and/or death:
“The secret point of money and power in America is neither the things that money can buy nor power for power’s sake ... but absolute personal freedom, mobility, privacy. It is the instinct which drove America to the Pacific, all through the nineteenth century, the desire to be able to find a restaurant open in case you want a sandwich, to be a free agent, live by one’s own rules.”
—Joan Didion (b. 1934)
“The shortest way out of Manchester is notoriously a bottle of Gordon’s gin; out of any businessman’s life there is the mirage of Paris; out of Paris, or mediocrity of talent and imagination, there are all the drugs, from subtle, all-conquering opium to cheating, cozening cocaine.”
—William Bolitho (1890–1930)
“Almost everybody in the neighborhood had “troubles,” frankly localized and specified; but only the chosen had “complications.” To have them was in itself a distinction, though it was also, in most cases, a death warrant. People struggled on for years with “troubles,” but they almost always succumbed to “complications.””
—Edith Wharton (1862–1937)