Mahalia Jackson Theater Of The Performing Arts
The Mahalia Jackson Theater for the Performing Arts is a theater located in Louis Armstrong Park in New Orleans, Louisiana. It was named after gospel singer Mahalia Jackson, who was born in New Orleans. The theater reopened in January 2009 after being closed following the landfall of Hurricane Katrina on August 29, 2005. It will serve as the long-term residence of the Louisiana Philharmonic Orchestra, the New Orleans Ballet Association, New Orleans Opera Association, and Broadway Across America touring productions.
Read more about Mahalia Jackson Theater Of The Performing Arts: History, Return, Broadway in New Orleans (2009–present)
Famous quotes containing the words performing arts, jackson, theater, performing and/or arts:
“More than in any other performing arts the lack of respect for acting seems to spring from the fact that every layman considers himself a valid critic.”
—Uta Hagen (b. 1919)
“War is a blessing compared with national degradation.”
—Andrew Jackson (1767–1845)
“It is not enough to demand insight and informative images of reality from the theater. Our theater must stimulate a desire for understanding, a delight in changing reality. Our audience must experience not only the ways to free Prometheus, but be schooled in the very desire to free him. Theater must teach all the pleasures and joys of discovery, all the feelings of triumph associated with liberation.”
—Bertolt Brecht (1898–1956)
“More than in any other performing arts the lack of respect for acting seems to spring from the fact that every layman considers himself a valid critic.”
—Uta Hagen (b. 1919)
“I haven’t seen so much tippy-toeing around since the last time I went to the ballet. When members of the arts community were asked this week about one of their biggest benefactors, Philip Morris, and its requests that they lobby the New York City Council on the company’s behalf, the pas de deux of self- justification was so painstakingly choreographed that it constituted a performance all by itself.”
—Anna Quindlen (b. 1952)