Fiction
Like other magical objects in stories, magic rings can act as a plot device, but in two distinct ways. They may give magical abilities to a person who is otherwise lacking in them, or enhance the power of a wizard. Or alternatively, they may function as nothing more than MacGuffins, that is, objects for which it is the characters' desire to obtain them, rather than any innate power that they possess, that moves the story along.
J.R.R. Tolkien's The Hobbit, for example, involves a magical ring which allows Bilbo Baggins to be instrumental in a quest, matching the abilities of the dwarves. In the Volsunga Saga, on the other hand, the magic ring that Sigurd takes from the dragon Fafnir is a symbolic item, cursed by the dwarf Andvari from whom it was stolen by Loki; the ring is a plot device that creates a sense of inevitable disaster as the story unfolds.
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Famous quotes containing the word fiction:
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)
“If one doubts whether Grecian valor and patriotism are not a fiction of the poets, he may go to Athens and see still upon the walls of the temple of Minerva the circular marks made by the shields taken from the enemy in the Persian war, which were suspended there. We have not far to seek for living and unquestionable evidence. The very dust takes shape and confirms some story which we had read.”
—Henry David Thoreau (1817–1862)
“The beginning of human knowledge is through the senses, and the fiction writer begins where human perception begins. He appeals through the senses, and you cannot appeal to the senses with abstractions.”
—Flannery O’Connor (1925–1964)