Magdalena Project - Background

Background

The idea for a network of women theatre practitioners was born in a café in Trevignano, Italy in September 1983, during a festival of alternative theatre: a discussion on the predominance of male directors and writers at the festival led Jill Greenhalgh to ask what such a festival might be like if the primary creative voices were those of women. Inspired by this, Greenhalgh organised MAGDALENA '86 - The First International Festival of Women in Contemporary Theatre, in Cardiff, Wales in August 1986 and at this event the Magdalena Project was founded.

From then until 1999, The Magdalena Project operated from an administrative base in Cardiff, with a board of advisors and Greenhalgh as its artistic director. During this period the Magdalena Project produced performances, organised workshops and festival gatherings in Europe and published a regular newsletter.

In 1988, women theatre practitioners in Latin America became involved, organising meetings in Peru, Colombia and Uruguay, and extending the network to Chile and Argentina with further meetings in 1993. This was to be the beginning of growing interest in the Project from around the world, with affiliate groups forming and hosting festivals and events in many countries.

In 1999, the Welsh Arts Council ceased its infrastructure funding of the Magdalena Project, necessitating the closure of the Cardiff office and the cessation of most cost-bearing activities. However by this time the network was strongly established at an international level, and was about to launch its web site and email list. The move into online communications ensured the continuation of the network despite the loss of funding.

Read more about this topic:  Magdalena Project

Famous quotes containing the word background:

    Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality can disturb us.
    Henry David Thoreau (1817–1862)

    In the true sense one’s native land, with its background of tradition, early impressions, reminiscences and other things dear to one, is not enough to make sensitive human beings feel at home.
    Emma Goldman (1869–1940)

    ... every experience in life enriches one’s background and should teach valuable lessons.
    Mary Barnett Gilson (1877–?)