Lessons From The Book
In the end, Leamer’s tale reveals a darker strain. As he discovers the desperate hunger a billionaire has for acceptance that may never come, or the aging beauty’s struggle to redefine and keep a place in this society, he also captures a pathos and humanity in many of his subjects. There are characters that range from the doyenne of the modern drawing room who forgoes a marriage with family attending and flies to New Zealand so that Prince Phillip and Prince Edward might be present instead; the skinflint billionaire who kidnaps his first children, rewrites his own history, and then plots spectacularly against his fifth wife with a prenuptial that would have her paying him if she leaves; to the small-town daughter of a cop who becomes the gatekeeper for it all, the society columnist for the local newspaper.
Read more about this topic: Madness Under The Royal Palms
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“But what help from these fineries or pedantries? What help from thought? Life is not dialectics. We, I think, in these times, have had lessons enough of the futility of criticism.”
—Ralph Waldo Emerson (1803–1882)
“A book is not an autonomous entity: it is a relation, an axis of innumerable relations. One literature differs from another, be it earlier or later, not because of the texts but because of the way they are read: if I could read any page from the present time—this one, for instance—as it will be read in the year 2000, I would know what the literature of the year 2000 would be like.”
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