Madeline Gins - Reviews

Reviews

  • Daniel Ross, "Passages to Immortality: Arakawa and Gins, Stiegler, and September 11", Reconstruction 11.2, 2011.
  • Jean-Francois Lyotard. Que Peindre?: Adami, Arakawa, Buren. Paris: Hermann Editeurs, 2008.
  • R. Klanten, L. Feireiss. Eds. Strike a Pose: Eccentric Architecture and Spectacular Spaces. September 2008.
  • Jondi Keane and Evan Selinger. “Architecture and *'Philosophy: Refelections on Arakawa and Gins.” Footprint. Autumn 2008.
  • Fred Bernstein. “A House Not for Mere Mortals,” New York Times, April 2008
  • Costica Bradatan. “The Alchemists of the 21st Century,” Review of Making Dying Illegal. Architecture against Death: Original to the 21st Century, Parallax, 13 (2008).
  • 'Jondi Keane. “Exert Yourself in Wholly Other Ways,” Kerb, 2007/2008
  • 'Jondi Keane. “Situating Situatedness through Æffect and the Architectural Body of Arakawa and Gins,” Janus Head, Winter/Spring Issue 2007, 9.2, pp. 437–457
  • 'Florentine Sack. Open House: Towards a New Architecture. 2006, pp. 131– 143.
  • '“Design Innovation House: Reversible Destiny Lofts.” Archiworld, 2006.
  • Mari Hashimoto. “How to Live in Reversible Destiny Lofts with Directions for Use.” Casa Brutus, February 2006.
  • 'Yoshihio Sano. “The trial to cross-over.” Japan Architect, February 2006.
  • Lawrence B. Nagy. “Parcours vita a domicile.” Monde, February 26, 2006.
  • Tomoko Otake. “Home sweet ‘death-defying’condo homes.” The Japan Times, January 15, 2006.
  • Takeshi Matsuda. “Closeup: Building a Residence with Tubes, Spheres and Cubes.” Nikkei Architecture, May 2, 2005
  • Joel David Robinson. “From Clockwork Bodies to Reversible Destinies (On the Architectural Experiments of Arakawa and Gins).” Art Papers, March/April 2005.
  • Lisa Licitra Ponti. “Arakawa + Gins. Living Bodies.” Domus 879, March 2005.
  • Susan Stewart. “On the Art of the Future.” The Chicago Review, Winter 2004/2005.
  • Karen MacCormack. “Mutual Labyrinth: A Proposal of Exchange.” Architectures of Poetry. Eds., Dworkin, Craig Douglas and Maria Eugenia Diaz Sanchez. Amsterdam: Rodopi, 2004
  • 'Michel Delville. “How Not to Die in Venice: The Art of Arakawa and Madeline Gins.” Architectures of Poetry. Eds., Dworkin, Craig Douglas and Maria *'Eugenia Diaz Sanchez. Amsterdam: Rodopi, 2004
  • 'Michelle Delville. “How Not to Die in Venice: The Art of Arakawa and Madeline Gins” Reading the Illegible (Avant-Garde and Modernism Studies). Ed. by *'Craig Dworkin. Chicago: Northwestern University Press, 2003.
  • David Kolb. Review of Architectural Body. Continental Philosophy Review, 2003.
  • Patrick Pardo. “Regarding the Lives of Human Snails: Arakawa/Gins and the Architectural Body.” The Daily NY Arts Newsletter. May 15, 2003, p. 1.
  • Aaron Kunin. “Stay Alive: Gins and Arakawa vs. The Grim Reaper.” The Village Voice, January 15 – 21, 2003.
  • Joel David Robinson. Review of Architectural Body. Parachute, April 5, 2003.
  • Geraldine McKenzie. Review of Architectural Body. How2, Spring 2003.
  • Jean-Michel Rabaté, ed. “Architecture Against Death Architecture” Interfaces (21-22) A + G Special Double Issue, Fall 2003.
  • 'Mary Ann Caws. “Taking Textual Time” Reimagining Textuality: Textual Studies in the Late Age of Print. Edited by Elizabeth Bergmann Loizeaux and Neil Fraistat. Wisconsin: The University of Wisconsin Press, 2002.
  • 'Jeff Byles. “The Reversible Destiny: Architecture of Arakawa and Madeline Gins.” Plazm, 27, 2002.
  • 'Arthur C. Danto. “Arakawa-Gins.” The Nation, August 11/18 1997, pp. 31–34. Reprinted in The Madonna of the Future: Essays in a Pluralistic Art World. New York: Farrar, Straus and Giroux, 2000. pp. 265–272
  • 'Samira Kawash. “Bodies at Risk- The Architecture of Reversible Destiny.” PAJ 59, 1998, pp. 17–27.
  • 'Tom McEvilley. “Arakawa and Gins at the Guggenheim Soho.” Art in America, January 1998, pp. 100–101.
  • Mark Amerika. "Astrophysical Grammatology- Helen Keller or Arakawa." American Book Review, February–March 1996, Vol. 17, No. 3, p. 18.
  • Gendai Shiso. (The Journal of Contemporary Thought – Tokyo), (Each issue of this journal is devoted to the work of a leading contemporary thinker). August 1996, devoted to the work of Arakawa/Gins.
  • Serge Gavronsky. “Dot Lamour.” Witz, A Journal of Contemporary Poetics, Winter 1994, Volume III, No. 1.
  • 'Mary Ann Caws. “Madeline Gins- Helen Keller or Arakawa.” Journal of Philosophy and the Visual Arts, no. 6, Complexity, 1995, p. 96.
  • 'Robert Creeley. “‘Someplace Enormously Moveable’- The Collaboration of Arakawa and Madeline Gins.” Art Forum, Vol. 18 (Summer, 1980), pp. 60–65.

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