Critical Response
David Bianculli of the Daily News called Mad Mad House a "bad bad show" (a bon mot that other reviewers would also make). Comparing the series to previous ones produced by Smith and Weed, including Paradise Hotel and Forever Eden, Bianculli pronounced Mad Mad House to be "their worst work yet". He mocked the contestants and berated the alts as "losers". Virginia Heffernan of The New York Times found the series "unsettling" and "ghoulish" but wondered if it might lead middle America to examine the casualness of their religious beliefs. The premiere episode drew a rating of 1.57 million viewers.
In February 2004, the National African Religion Congress sued the producers of Mad Mad House saying that it falsely represented Ta'Shia Asanti as a voodoo priestess. The group claimed that her dress identified her as a priestess of Yemoja of the Ifá tradition of the Yoruba people. The suit sought a court order requiring that the program not identify Asanti as a voodoo priestess. The group dropped the suit two months later after the network agreed to add a disclaimer to its website.
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“Most critical writing is drivel and half of it is dishonest.... It is a short cut to oblivion, anyway. Thinking in terms of ideas destroys the power to think in terms of emotions and sensations.”
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“Perhaps nothing in all my business has helped me more than faith in my fellow man. From the very first I felt confident that I could trust the great, friendly public. So I told it quite simply what I thought, what I felt, what I was trying to do. And the response was quick, sure, and immediate.”
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