Plot
When gymnastics school teacher Caroline (Glynis Johns) goes on holiday at her family's home in Cornwall, she meets her distant mermaid relative Miranda, who looks exactly like her. She agrees to let Miranda trade places with her, while she goes on a bicycling trip with a friend. Caroline feigns an accident which leaves her confined to a wheelchair for a few weeks and gets nurse Carey to attend to Miranda. This conceals the fact that Miranda has a fish tail instead of legs.
Caroline is engaged to Ronald Baker (Peter Martyn), but when he shows up, Miranda does not like him at all. She decides to make Caroline a better match. She flirts outrageously with two eligible bachelors, Jeff Saunders (Donald Sinden) and Colonel Barclay Sutton (Nicholas Phipps), right in front of Ronald. When she discovers that Ronald works in the government sanitation department (and approves of dumping garbage into the ocean), she dumps a tureen of cold soup on his head.
Meanwhile, Barbara Davenport (Anne Crawford), the colonel's fiance, takes an understandable dislike to Miranda. While out swimming, she discovers Miranda's secret and arranges for "Caroline" to sing at a charity concert, plotting to reveal her true nature. Caroline reads about the forthcoming concert during her holiday, guesses what Barbara intends, and rushes back to take Miranda's place, foiling Barbara's scheme.
Afterward, Jeff takes Caroline boating. When he tries to kiss her, she resists at first, then willingly gives in, while a somewhat sad Miranda watches.
Read more about this topic: Mad About Men
Famous quotes containing the word plot:
“If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.”
—John Ashbery (b. 1927)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“There saw I how the secret felon wrought,
And treason labouring in the traitor’s thought,
And midwife Time the ripened plot to murder brought.”
—Geoffrey Chaucer (1340?–1400)