Lynah Rink - History

History

The building is a quonset shaped structure covered with multi-colored (orange, tan, black and brown) brick wall cladding set in a common bond pattern. Projecting from the facade of the structure is a one story rectangular wing flanked on either side by two vertical appendages, which have multi-paned colored glass windows. The one story wing has a strip of casement windows. The stairway is situated on the west side of the building. A white concrete block structure with wall buttresses connects Lynah Rink to Bartels Hall. It was constructed for $500,000 with a donation from Walter S. Carpenter, Jr. whose gift came with the stipulation that he did not want his name on the building. The facility was designed by Van Storch, Evans, and Burkavage of Waverly, PA and constructed by Streeter Associates of Elmira, NY.

The rink opened on March 21, 1957 with a match between the New York Rangers (NHL) and the Rochester Americans (AHL) in front of 4200 spectators. It was subsequently dedicated on April 6, 1957 and named the James Lynah Skating Hall.

In March, 2006 Cornell University broke ground on a major renovation project designed to add 19,500 square feet (1,810 m2) to the rink. The additions and renovations included 464 new seats, upgraded locker rooms for both the men's and women's squads and their opponents, trainers' rooms, coaches' offices and a study area for players. New scoreboards were added, including one at center ice, as well as preferred seating and a tunnel for the players.

Read more about this topic:  Lynah Rink

Famous quotes containing the word history:

    Throughout the history of commercial life nobody has ever quite liked the commission man. His function is too vague, his presence always seems one too many, his profit looks too easy, and even when you admit that he has a necessary function, you feel that this function is, as it were, a personification of something that in an ethical society would not need to exist. If people could deal with one another honestly, they would not need agents.
    Raymond Chandler (1888–1959)

    The history of modern art is also the history of the progressive loss of art’s audience. Art has increasingly become the concern of the artist and the bafflement of the public.
    Henry Geldzahler (1935–1994)

    It may be well to remember that the highest level of moral aspiration recorded in history was reached by a few ancient Jews—Micah, Isaiah, and the rest—who took no count whatever of what might not happen to them after death. It is not obvious to me why the same point should not by and by be reached by the Gentiles.
    Thomas Henry Huxley (1825–95)