Culture
Despite the city's comparatively small size, it has several notable museums: the recently renovated National Museum of History and Art (MNHA), the Luxembourg City History Museum, the new Grand Duke Jean Museum of Modern Art (Mudam) and National Museum of Natural History (NMHN). The city of Luxembourg itself is on the UNESCO World Heritage List, on account of the historical importance of its fortifications. In addition to its two main theatres, the Grand Théâtre de Luxembourg and the Théâtre des Capucins, there is an impressive new concert hall, the Philharmonie, as well as a conservatory with a large auditorium. Art galleries include the Villa Vauban, the Casino Luxembourg and Am Tunnel.
Luxembourg was the first city to be named European Capital of Culture twice. The first time was in 1995. In 2007, the European Capital of Culture was to be a cross-border area consisting of the Grand Duchy of Luxembourg, the Rheinland-Pfalz and Saarland in Germany, the Walloon Region and the German-speaking part of Belgium, and the Lorraine area in France. The event was an attempt to promote mobility and the exchange of ideas, crossing borders in all areas, physical, psychological, artistic and emotional.
Luxembourg City is also famed for its wide selection of restaurants and cuisines, including four Michelin starred establishments.
Read more about this topic: Luxembourg (city)
Famous quotes containing the word culture:
“The local is a shabby thing. There’s nothing worse than bringing us back down to our own little corner, our own territory, the radiant promiscuity of the face to face. A culture which has taken the risk of the universal, must perish by the universal.”
—Jean Baudrillard (b. 1929)
“When we want culture more than potatoes, and illumination more than sugar-plums, then the great resources of a world are taxed and drawn out, and the result, or staple production, is, not slaves, nor operatives, but men,—those rare fruits called heroes, saints, poets, philosophers, and redeemers.”
—Henry David Thoreau (1817–1862)
“A culture may be conceived as a network of beliefs and purposes in which any string in the net pulls and is pulled by the others, thus perpetually changing the configuration of the whole. If the cultural element called morals takes on a new shape, we must ask what other strings have pulled it out of line. It cannot be one solitary string, nor even the strings nearby, for the network is three-dimensional at least.”
—Jacques Barzun (b. 1907)