Lunar 2: Eternal Blue Complete is a retitled version of Lunar 2: Eternal Blue (ルナ２ エターナルブルー, Runa Tsū Etānaru Burū?), a Japanese role-playing video game. It is the sequel to Lunar: Silver Star Story Complete. Originally released in 1998 for the Sega Saturn console in Japan, it was ported to the PlayStation in 1999 and translated for the North American market in 2000 by the US publisher Working Designs. Lunar 2: Eternal Blue Complete is a remake of Lunar: Eternal Blue, originally released for the Sega CD platform. This game is part of the Lunar series.
Similar to the critical reaction of the first game, praises were given to Lunar 2 for featuring an enormous amount of material appealing to players on a personal level, particularly likable characters with quests helped with their growth to maturity; in the case of two main characters, they develop a powerful romance. The dialogue is also well-received as even minor characters have rich amount of dialogues. There are several hand-animated full-motion video cutscenes, as well as a notable soundtrack, and after coming to the end of the initial game, an optional second adventure may serve as an epilogue.
Read more about Lunar 2: Eternal Blue Complete: Storyline, Continuity Gaps, Connections To Lunar 1, Reception
Famous quotes containing the words eternal and/or blue:
“What do we want with this vast and worthless area, of this region of savages and wild beasts, of deserts, of shifting sands and whirlwinds, of dust, of cactus and prairie dogs; to what use could we ever hope to put these great deserts, or those endless mountain ranges, impenetrable and covered to their very base with eternal snow? What can we ever hope to do with the western coast, a coast of 3,000 miles, rockbound, cheerless, uninviting and not a harbor in it?”
—For the State of Kansas, U.S. public relief program (1935-1943)
“The blue we bathe in is the blue we breathe. The blue we breathe, I fear, is what we want from life and only find in fiction. For the voyeur, fiction is what’s called going all the way.”
—William Gass (b. 1924)