Structure
Lullaby uses a framing device, alternating between the normal, linear narrative and the temporal end after every few chapters. Palahniuk often uses this format alongside a major plot twist near the end of the book which relates in some way to this temporal end (what Palahniuk refers to as "the hidden gun").
Lullaby starts with Mr. Streator talking to the reader, narrating where he is today and why he is going to tell us the backstory that will give us perspective on his current situation. "Still, this isn't a story about here and now. Me, the Sarge, the Flying Virgin. Helen Hoover Boyle. What I'm writing is the story of how we met. How we got here" .
This present tense information that makes this book a frame story is incorporated every few chapters as its own chapter, entirely italicized. Palahniuk uses these segments as a way to set up his "hidden gun" and as a means to foreshadow where the story is going. His present seems disconnected from the past that he narrates throughout the rest of the novel. The final chapter concludes in the present, providing the puzzle-piece that strings together all the events and makes sense out of the backstory and their current workings searching for "phenomenons."
Read more about this topic: Lullaby (novel)
Famous quotes containing the word structure:
“It is difficult even to choose the adjective
For this blank cold, this sadness without cause.
The great structure has become a minor house.
No turban walks across the lessened floors.
The greenhouse never so badly needed paint.”
—Wallace Stevens (1879–1955)
“I’m a Sunday School teacher, and I’ve always known that the structure of law is founded on the Christian ethic that you shall love the Lord your God and your neighbor as yourself—a very high and perfect standard. We all know the fallibility of man, and the contentions in society, as described by Reinhold Niebuhr and many others, don’t permit us to achieve perfection.”
—Jimmy Carter (James Earl Carter, Jr.)
“The syntactic component of a grammar must specify, for each sentence, a deep structure that determines its semantic interpretation and a surface structure that determines its phonetic interpretation.”
—Noam Chomsky (b. 1928)