Luigi - Reception

Reception

Since his appearance in Super Mario Bros., Luigi has received generally positive reception. Nintendo Power listed Luigi as their fifth favourite hero, citing his dependability while describing him as being an underdog. They also listed him as having one of the best mustaches. GameDaily listed the "neglected guy" as one of their top 25 video game archetypes, citing Luigi as an example and stating that he lacks the charisma of his brother Mario and that he should get another starring role. They also listed Luigi's Poltergust 3000 from Luigi's Mansion as one of the top 25 Nintendo gimmicks. UGO Networks ranked Luigi at #16 on their "25 Most Memorable Italians in Video Games" list, ranking him over Mario himself.

Luigi has been featured in many "Top Sidekicks" lists. Machinima placed Luigi as the best sidekick on gaming on their "Top 10 Sidekicks in Gaming" list. He was also listed as the best sidekick in video games by Maximum PC. IGN ranked him at #2 on their top 10 list, commenting "No pair illustrates brotherly love like Mario and Luigi". Luigi is also ranked at #2 on ScrewAttack's top 10 list, where they comment that even though does everything Mario does, he gets none of the glory. WhatCulture listed him at #5 on their top 20 list, adding that a Mario game doesn't seem like a Mario game without Luigi. Maxim listed Luigi as the second most underrated sidekick.

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Famous quotes containing the word reception:

    To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.
    Lewis H. Lapham (b. 1935)

    Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.
    Rémy De Gourmont (1858–1915)

    Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.
    Jonathan Swift (1667–1745)