Career
After playing with the swing orchestras of Lionel Hampton, Don Redman, Billy Eckstine (alongside Dizzy Gillespie and Charlie Parker), Lucky Millinder, and Count Basie, he worked in rhythm and blues and then established a career in bebop and hard bop, working with Kenny Clarke, Miles Davis, Dizzy Gillespie and Milt Jackson.
Ben Ratliff notes that Thompson "connected the swing era to the more cerebral and complex bebop style. His sophisticated, harmonically abstract approach to the tenor saxophone built off that of Don Byas and Coleman Hawkins; he played with beboppers, but resisted Charlie Parker's pervasive influence." He showed these capabilities as sideman on many albums recorded during the mid-1950s, such as Stan Kenton's Cuban Fire!, and those under his own name. He appeared on Charlie Parker's Los Angeles Dial Records sessions and on Miles Davis’s hard bop Walkin' session. Thompson recorded albums as leader for ABC Paramount and Prestige and as a sideman on records for Savoy Records with Milt Jackson as leader.
Thompson was strongly critical of the music business, later describing promoters, producers and record companies as "parasites" or "vultures." This, in part, led him to move to Paris, where he lived and made several recordings between 1957 and 1962. During this time, he began playing soprano saxophone.
Thompson returned to New York, then lived in Lausanne, Switzerland from 1968 until 1970, and recorded several albums there including A Lucky Songbook in Europe. He taught at Dartmouth College in 1973 and 1974, then completely left the music business.
Read more about this topic: Lucky Thompson
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